Summary (Magill's Survey of American Literature, Revised Edition)
Denise Levertov’s own footnote for this poem tells the reader that the plot of “Cademon” comes from the History of the English Church and People (731), by Saint Bede the Venerable, the first known British Christian poet. That information tells readers that the historical analog of “Cademon” is the story of an illiterate stable hand who received a divine call to sing in praise of God.
Even armed with that knowledge, readers may find that the tight line and verse structure of “Cademon” obviates simple readings of the poem. It is reminiscent, perhaps, of the laconic verse of Levertov’s Imagist mentors: Ezra Pound, William Carlos Williams, and H. D. The message appears to be simple enough: Any beings who come into contact with the spirit can be transformed into something magnificent. Here, the clumsy, inarticulate persona informs the reader of his inability with words by comparing the situation to being trapped in a dance without any knowledge of steps or grace. Yet when he is touched by the divine hand of an angel while attending to his duties as a cowhand, he finds his mouth and lips touched, burned even, by the fiery hand of God, and he discovers his poetic voice.
Whether the poem is meant to be didactic, with Levertov asserting the ways of finding one’s own poetic voice utilizing the tale of Cademon as an example, or whether it is an autobiographical analog to both her own poetic ascension and her Christian...
(The entire section is 315 words.)
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