Drawing on his own background and experiences, Terence Rattigan wrote about people and themes he knew. His father was a diplomat whose glamorous life included many affairs, and his beautiful mother came from generations of barristers. The worlds of diplomacy and law are the sources of the characters and situations of many of his plays, as is Rattigan’s own public-school background. As the son of parents who traveled and lived abroad, Rattigan writes often of child-parent relationships. For Crocker-Harris, the playwright drew on his memories of a former classics master who, like his fictional counterpart, taught the classics as an exercise in translation.
From his first successful play, French Without Tears (pr. 1936), until his last play, Cause Celebre (pr. 1977), Rattigan continued to write about sons and parents and about the devastating effects of emotional repression, the “vice-Anglais,” as he once described this peculiarly English social illness.
The father-son relationship, however, is only one of various emotional conflicts Rattigan explores in his dramas. His characters’ marital situations involve more complex emotional dilemmas. When Crocker-Harris surprises Hunter with his confession of having known of Millie’s infidelities, he confronts twenty years of marital frustration, admitting that the sexual love Millie required he was unable to give and that its absence had driven out the caring that he considered...
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