Summary (Magill's Survey of American Literature, Revised Edition)
Breakfast at Tiffany’s is a first-person narrative with a young male writer as its single point of view. The narrator relates what he observes of the life and experiences of Holly Golightly, a young Texas woman who has come to New York in the early 1940’s seeking new life, excitement, and glamour, which she feels is in keeping with her freewheeling, sometimes irresponsible, approach to life.
Like Other Voices, Other Rooms, which preceded it, Breakfast at Tiffany’s presents a free-spirited person trying to escape from the tawdry aspects of a past life by finding a lifestyle more compatible with her dreams and fantasies. Capote’s story of Holly develops as a remembrance triggered in the writer-narrator’s memory by an encounter with a Lexington Avenue bar proprietor, Bell, who had known Holly as a frequent and colorful patron of his bar. Bell reports to the narrator that Holly in 1956 may have been seen in East Anglia, in Africa, where a Japanese photographer (who also had known Holly in New York) has encountered a wooden replica of Holly’s face in a remote native village. The writer then recalls his first encounter with Holly when he had rented an apartment in the same building as she (and the photographer) during the early years of World War II.
The writer (whom Holly calls “Fred,” after her brother, who is in the military service) grows more familiar with the irrepressible Holly after their first...
(The entire section is 738 words.)
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Summary (Masterplots, Fourth Edition)
The narrator, an established writer, is summoned unexpectedly to a bar, an old haunt, where the bartender, Joe Bell, who shared the narrator’s long-ago fascination with Holly Golightly, has received word about her: She passed through an African village just months earlier. Joe has a photo of an elegant wood carving made by one of the village artisans, and its profile is unmistakably that of Holly Golightly. The photo triggers the narrator’s recollection of the tempestuous year he spent as Holly’s neighbor in a Manhattan brownstone when he first arrived in New York as a struggling writer.
Everything about the young woman intrigued the narrator when he met her. Holly participated in the flamboyant nightlife of New York’s ritziest restaurants and nightclubs, escorted by a variety of rich and influential men. She exhibited an elegant goofiness and a casual sexiness. She was fond of a stray cat that she adopted but never named. Her background was mysterious, involving time spent in Hollywood as a promising starlet, and she would lapse into inexplicable bouts of melancholy. She was devoted to to brother, a soldier stationed overseas.
The narrator was particularly puzzled about Holly’s source of income. She clearly had no problem securing money from the men she dated, but he could not tell whether or not she was a prostitute. She visited Sally Tomato, a notorious gangster, each Thursday in Sing Sing Prison and brought back cryptic messages...
(The entire section is 951 words.)