Summary (Masterplots II: American Fiction Series, Revised Edition)
In The Bonfire of the Vanities, an upper-middle-class white Wall Street investment banker who thinks he is on top of the world discovers that his fragile world is in imminent danger of destruction from within. At age thirty-eight, Sherman McCoy is near the peak of his career. He is married and has one young daughter whom he loves but rarely sees because of his hectic double life. In addition to being absorbed in business, he maintains an adulterous relationship with a sexy blonde who is having fun while waiting for her elderly multimillionaire husband to die.
One night while driving his mistress, Maria Ruskin, home, Sherman accidentally takes a wrong turn off the expressway and finds himself in one of the poorest and most dangerous slums of the Bronx. After finding his way back to the expressway, he discovers that the on-ramp is blocked with rubbish, and when he gets out to clear a path, he sees two black youths approaching with obviously sinister intentions. Maria, in panic, slides behind the wheel and calls for him to jump in. Backing up to get around the barricade, she bumps one of the youths and then speeds off without looking back.
They read in the next day’s newspaper that a teenager named Harold Lamb was felled by a hit-and-run driver at that location and is hospitalized in a coma. Lamb eventually provides a description and partial license number of the car that struck him. An alcoholic journalist named Peter Fallow...
(The entire section is 649 words.)
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Summary (Magill's Survey of American Literature, Revised Edition)
The Bonfire of the Vanities provides an interesting contrast to Wolfe’s earlier work. It is a huge, sprawling novel that runs to more than 650 pages, yet it reveals the same fascination with wealth, power, and status that dominated The Kandy-Kolored Tangerine-Flake Streamline Baby, his first book. In the novel, which was a long time in the making, Wolfe skillfully introduces a large and diverse cast of characters representing many levels of New York society while setting multiple, intersecting plots in motion. It begins as a meticulously constructed work. It is entertaining as satire and fascinating because of the way it weaves multiple satiric sketches into a unified but cumbersome plot that gains momentum like a runaway train. When it finally grinds to a halt, it seems to have run out of steam, almost dying of exhaustion.
The plot is so densely textured that it resists easy summary. The main plot follows the fortunes of Sherman McCoy, a thirty-eight-year-old, Yale-educated bond dealer on Wall Street who considers himself a “Master of the Universe.” He lives in the “right” neighborhood, in a tenth-floor duplex on Park Avenue. He has a perfect wife and child, as well as a Mercedes and a mistress. The latter two possessions serve to bring about his ultimate downfall and disgrace.
Maria, his mistress, is married to a very wealthy husband. She is a well-traveled, ill-bred, faithless cracker bimbo. Maria spends a week...
(The entire section is 1079 words.)