This play, first produced in Johannesburg, may be considered seminal in that it defines clearly the society of South Africa under apartheid, a society that Fugard loathed.
Morris, who can pass for white, and his half brother, Zachariah, most definitely an African, share a one-room shack in the nonwhite slum of Korsten, near Port Elizabeth.
Zachariah is completely illiterate and a little slow-witted, but he has a menial job as a gatekeeper. Morris acts as homemaker—cleaning their room, cooking the meals, mending Zachariah’s clothing, and preparing nightly footbaths for his brother.
In the year they have been together Morris has saved part of Zach’s pay each week with the goal of accumulating enough cash to buy a small farm far from the area so that they can live as independent human beings.
Zachariah, however, is more interested in the present than the future. He remembers a friend who used to help him squander each week’s pay on wine and women, and he is quite resentful of his brother’s somewhat puritanical attitude.
To placate Zachariah, Morris suggests a pen pal, to be found in a newspaper listing women interested in this kind of activity. Not entirely convinced that this will take the place of “having a woman,” Zach finally chooses Ethel Lange, and dictates a letter to Morris. She replies, enclosing a picture of herself that brings Morris to his senses. Zachariah has brought home a white...
(The entire section is 532 words.)