Summary (Magill's Survey of American Literature, Revised Edition)
“The Bear” is Faulkner’s best-known and most highly regarded story; it takes its place among his wilderness narratives, such as Old Man (one of the two novellas that make up The Wild Palms), “Red Leaves” (1930), the best of Faulkner’s Indian stories, and the escape of the black architect in Absalom, Absalom! Its genesis is typical of Faulkner’s writing and publishing career: He used his material to the greatest degree. A short story titled “Lion” appeared in 1934; it was enlarged in 1941 and 1942 as “The Bear,” to be a section of the novel Go Down, Moses.
A shortened form was published in a magazine in 1942; then, two days later, the novel appeared, with what is sometimes called “The Bear II” included. Because this contained section 4, which adds to the novel but detracts from the hunting story, the novel version without section 4 was anthologized in Big Woods in 1955; with section 4, it appeared in Three Famous Short Novels in 1961.
The work symbolizes the destruction of the wilderness. It is also concerned with the mythic initiation of a boy, young Isaac (Ike) McCaslin, into manhood. In the later versions, Quentin Compson as narrator is dropped in favor of omniscient narration, and “the boy” becomes Ike. The magazine and novel versions differ in that the bear is killed only in the latter.
Old Ben is a mythic two-toed bear who has eluded hunters...
(The entire section is 533 words.)
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