Study Guide

Bartleby the Scrivener, A Tale of Wall Street

by Herman Melville

Bartleby the Scrivener, A Tale of Wall Street Analysis

Bartleby the Scrivener (Critical Survey of Contemporary Fiction)

On his third day as scrivener for a lawyer on Wall Street, Bartleby tells his employer that he “prefers not to” copy any more legal documents. This enigmatic response becomes the scrivener’s constant reply to further requests for copy work.

While Bartleby’s passive resistance toward work angers the lawyer, it also arouses his pity. The scrivener is given six days to leave his job, but he prefers not to leave. Distraught with emotion for this “wreck in the mid Atlantic,” the lawyer asks Bartleby to move in with him. This request does not meet the scrivener’s preference.

The lawyer finally decides to rid himself of Bartleby. He moves his business to an address unknown to the scrivener. The lawyer later learns that Bartleby, refusing to leave his previous “home,” has been declared a vagrant and sent to prison. Here, Bartleby is further surrounded by walls. He responds by choosing not to eat his rations.

Bartleby represents Melville’s concept of man’s existence. Placed in a world with societal expectations, the man who prefers not to conform may retreat into his own “Walden Pond.” However, Bartleby, the former dead-letter office clerk, chooses not to protect himself from those who label him a threat to their materially oriented world.

Similar to Thoreau, who does not escape the tax collector at Walden, Bartleby pays a dear price for his individual preference.

Bartleby the Scrivener, A Tale of Wall Street Style and Technique (Comprehensive Guide to Short Stories, Critical Edition)

Wall imagery dominates this “story of Wall Street.” The narrator describes the location of his chambers in detail. At one end is seen the white wall of a large skylight shaft: “This view might have been considered . . . deficient in what landscape painters call ’life.’” At the other end is an ugly brick wall, blackened by age, ten feet from the window. Bartleby’s desk is inside the lawyer’s office, so that he can be within easy call, but is in a corner by a small window, which “commanded at present no view at all” because another wall is three feet from the panes. Bartleby stares at this wall when he prefers not to work. He is separated from his fellow copyists by a ground-glass door and is isolated from his employer, “a satisfactory arrangement,” by a high, green folding screen, suggesting the lawyer’s monetary obsession. Thus, there are walls within walls within walls within Wall Street.

The impossibility of the absence of walls is emphasized when Bartleby is removed to the Tombs, where he ignores the limited space in the exercise yard, choosing to stand beside the exterior wall, which both keeps him and protects him from society. He dies there curled into the fetal position (suggesting a possible tomb-womb pun), as if he could return to a state of innocence only in death.

These walls represent more than mere isolation; they are barriers to communication, to understanding, especially in a story told by a man who understands much less than he thinks he does. As in Melville’s greatest achievement, Moby Dick (1851), the walls imply that humankind is incapable of true perception, that understanding the purpose of existence is impossible.

The other major stylistic device employed by Melville is his unreliable narrator, who sees only what is on the surface. It is ironic that in his quest for the easy explanation he decides that Bartleby refuses to work because something is wrong with his eyes. Melville helps establish the tradition of having a tale told by someone who is accurate about facts but who is very subjective in interpreting the motivations not only of others but also of himself. This self-justifying narrator creates the story’s irony, its humor, its greatness.

Bartleby the Scrivener, A Tale of Wall Street Historical Context

The Triumph of Capitalism
At the time Melville wrote ''Bartleby the Scrivener,'' New York City was firmly entrenched as the...

(The entire section is 684 words.)

Bartleby the Scrivener, A Tale of Wall Street Literary Style

Setting
The setting of "Bartleby the Scrivener" is a crucial element in the story because it underscores Melville's concern...

(The entire section is 758 words.)

Bartleby the Scrivener, A Tale of Wall Street Compare and Contrast

1850s: Conflicts between labor and management are not uncommon. The U.S. economy is growing rapidly, largely at the expense of...

(The entire section is 223 words.)

Bartleby the Scrivener, A Tale of Wall Street Topics for Further Study

Because of Bartleby's obvious maladjustment to society, many critics have used the character as a case study for psychoanalysis. How would...

(The entire section is 127 words.)

Bartleby the Scrivener, A Tale of Wall Street Media Adaptations

Bartleby is a 1970 film adaptation of Melville's story starring Paul Scofield, John McEnery, Thorly Walters, and Colm Jeavons, and...

(The entire section is 117 words.)

Bartleby the Scrivener, A Tale of Wall Street What Do I Read Next?

Nathaniel Hawthorne's short story "The Celestial Railroad" (1843) is a nineteenth-century retelling of John Bunyan's Pilgrim's...

(The entire section is 453 words.)

Bartleby the Scrivener, A Tale of Wall Street Bibliography and Further Reading

Sources
Marx, Leo, "Melville's Parable of the Wall," The Sewanee Review, Vol. LXI, No. 4, Autumn, 1953, pp. 102-27.

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(The entire section is 319 words.)

Bartleby the Scrivener, A Tale of Wall Street Bibliography (Masterpieces of American Literature)

Bloom, Harold, ed. Herman Melville. Philadelphia: Chelsea House, 2003.

Branch, Watson G., ed. Melville: The Critical Heritage. Boston: Routledge & Kegan Paul, 1974.

Davey, Michael J., ed. A Routledge Literary Sourcebook on Herman Melville’s “Moby Dick.” New York: Routledge, 2004.

Dryden, Edgar A. Monumental Melville: The Formation of a Literary Career. Stanford, Calif.: Stanford University Press, 2004.

Hardwick, Elizabeth. Herman Melville. New York: Viking Press, 2000.

Heflin, Wilson L. Herman Melville’s Whaling Years. Edited by Mary K. Bercaw Edwards and Thomas Farel Heffernan. Nashville: Vanderbilt University Press, 2004.

Higgins, Brian, and Hershel Parker, eds. Critical Essays on Herman Melville’s “Moby Dick.” New York: G. K. Hall, 1992.

Johnson, Claudia Durst. Understanding Melville’s Short Fiction: A Student Casebook to Issues, Sources, and Historical Documents. Westport, Conn.: Greenwood Press, 2005.

Levine, Robert S., ed. The Cambridge Companion to Herman Melville. New York: Cambridge University Press, 1998.

Parker, Hershel. Herman Melville: A Biography—Volume 1, 1819-1851. Baltimore: Johns Hopkins University Press, 1996.

Parker, Hershel. Herman Melville: A Biography—Volume 2, 1851-1891. Baltimore: Johns Hopkins University Press, 2002.

Robertson-Lorant, Laurie. Melville: A Biography. New York: Clarkson N. Potter, 1996.