Barbie Doll Summary


Lines 1-4: The title of this poem refers to Mattel’s Barbie Doll, a popular toy for young girls. The original Barbie—tall, shapely, with blonde hair and blue eyes—debuted in 1959 at the American Toy Fair in New York City. Mattel has manufactured a variety of “Barbies” since then—everything from Action Adventure Barbie, to “Mod” Barbie, to Francie, an African-American “Barbie.” The poem begins in a fairy-tale vein, the archaic term “girlchild” being used to underscore the mythic quality of the story. The dolls, stove, iron and lipstick are all traditional playthings for young girls, but they are also markers of an identity in the making, the things that young girls grow to idenitfy with their own social roles. The doll presents an idealized image of the body, and stove and irons tell them what kind of work is expected of them as adults. Lipstick, perhaps the most sexualized cosmetic for women, signals to young girls that they will be valued for their physical appearance.

Lines 5-9: The “magic of puberty” introduces the theme of growth. It is a magical time because the body changes rapidly. Girls begin to menstruate and their bodies change. Piercy uses the term ironically here, as she is also referring to the pain that comes with puberty. Adolescents become more aware of one another as sexual and social beings and are frequently cruel towards one another. The “girlchild” is told she has “a great big nose and fat legs” even though she is smart, healthy and strong. The latter descriptors, however, are seen as being positive only for males, not females. Being good with one’s hands (manual dexterity) is a conventional male trait. Similarly, while having an “abundant...

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