Themes and Meanings (Masterplots II: Poetry, Revised Edition)
“Ballad of Birmingham” is a tribute to Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley, the bombing’s four fatalities, as well as their mothers. Randall’s presentation of a nameless daughter and mother is significant. Although he focuses on one daughter, he honors all four deceased girls. His omission of names also allows him to represent and remember the anonymous multitude of victims of racism and the civil rights struggle and to remember the families left behind to mourn their dead. Thus “Ballad of Birmingham” is their tribute as well.
Randall’s nameless daughter and mother also represent the bonds that exist between daughters and mothers everywhere. An important message of the poem is that a mother’s love cannot protect her offspring from racism; nothing can. The most powerful aspect of this message is that as recently as 1963 in the United States there was no place safe from the destructive power of racism. The church is sacred ground, yet it proves to be no sanctuary.
“Ballad of Birmingham” concisely interprets a tragic event in American history and recalls the intense racial tensions and strong emotions of the civil rights era. Although there were many other important civil rights events, including the freedom rides, sit-ins, school desegregation attempts, bombings, fires, and racially motivated murders, the September 15, 1963, bombing of the Seventeenth Street Baptist Church remains among the most poignant moments in black Americans’ collective quest for equality, liberty, and identity. Dudley Randall’s “Ballad of Birmingham” is one of the most dramatic and memorable of the many works of literature that document the African American struggle for equality.
In 1977, fourteen years after the bombing, Robert Chambliss, a member of the Ku Klux Klan, was finally convicted of first-degree murder and sentenced to life in prison. Federal authorities, continuing to believe that Chambliss had accomplices, reopened the case in 1980, 1988, and 1997—the last also being the year that filmmaker Spike Lee’s documentary film on the bombing, 4 Little Girls, debuted.