The main thrust of the novel is social satire. The focus of the satire is the novel's theme, for Babbitt's quest for material success never brings him happiness, a fact that even he comes to realize; and although he tries to change his lifestyle, eventually he must return to it because he knows no other way than the kind of mass vulgarity which he both created and, in his sanest moments abhors.
(The entire section is 72 words.)
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Babbitt has chiefly been understood as a satire of the prosperous, conservative business class of which Babbitt is a prominent member and a perfect example. At a point in the political and social climate where, Lewis felt, private enterprise and the economic interests of the business and ruling classes were valued above cultural endeavors or basic ethics, the novel struck an important critical tone.
The novel has a host of targets for its business satire, and most of them are institutions of which Babbitt is a member or a co-conspirator: the Boosters, the Elks, the Chamber of Commerce, the Good Citizens’ League, the fraudulent financial powers of big cities such as William Eathorne’s bank, and underhand political interests like the Street Traction Company. Lewis stresses that these institutions create a greedy and corrupt business atmosphere in Zenith. They ruin anyone who seems to go against their agenda (as they begin to ruin Babbitt before Myra becomes ill), they are only interested in cultural endeavors like a symphony orchestra if it brings money to the city, and, as becomes clear during the suppressed telephone-workers’ strike, they ruthlessly exploit the working classes.
Lewis also penetrates the deep hypocrisy of conservative American businessmen (that they say one thing and do another). The men of Babbitt’s organizations preach the value of free competition and then ostracize all those who do...
(The entire section is 871 words.)