Places Discussed (Cyclopedia of Literary Places)
Bryant plantation. Louisiana farm on which Jane Pittman is born into slavery with the name Ticey. There she spends the first ten years of her life. Things begin to change when the Civil War reaches the plantation—first when a Confederate army occupies it, then when a Union army arrives. Rejecting her slave identity by insisting that her name is Miss Jane Brown, Ticey is whipped and returned to field work.
After hearing about President Abraham Lincoln’s Emancipation Proclamation, the idealistic Jane expects to find freedom in the North and tries to make her way to Ohio with a younger boy, Ned. She and Ned struggle through swamps and farms burned and devastated by war. After thinking she has reached Ohio, she discovers the bitter truth that she is still in Louisiana.
Bone plantation. Prosperous Louisiana plantation much like Bryant’s, where Jane lives in a sparsely furnished cabin for about ten or twelve years after she gives up on reaching Ohio. After she enjoys life in an environment safe from post-Civil War Reconstruciton violence and receives some education from an excellent schoolteacher, violence eventually reaches the plantation and her situation reverts to a condition resembling slavery.
Clyde farm. Place on the Louisiana-Texas border that becomes Jane’s happiest home. There she lives for ten years with her common-law...
(The entire section is 440 words.)
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Compare and Contrast
Topics for Further Study
Techniques / Literary Precedents
What Do I Read Next?
Bibliography and Further Reading
Bibliography (Magill's Survey of American Literature, Revised Edition)
Babb, Valerie Melissa. Ernest Gaines. Boston: Twayne, 1991. A clear critical analysis that devotes one chapter to each of Gaines’s major works, including a detailed chapter on The Autobiography of Miss Jane Pittman that discusses the novel’s historical and cultural accuracy, use of oral history, themes, and character development.
Bell, Bernard W. “The Contemporary Afro-American Novel, Two: Modernism and Postmodernism.” In The Afro-American Novel and Its Tradition. Amherst: University of Massachusetts Press, 1987. Examines Gaines’s fiction as an example of Afro-American postmodernism, which differs from white...
(The entire section is 518 words.)