The Oedipus myth was well known even in Sophocles’ day, so his audience already knew what would happen at the end of Antigone. The contrast between what the audience knows and what the characters know sets up the tension, the dramatic irony. However, Sophocles uses dramatic license and adds events that are not found in any previous account of the myth, including the quarrels between Antigone and Ismene, Antigone’s two attempts to bury Polynices, Antigone’s betrothal to Haemon, the entombment of Antigone, Tiresias’s argument with Creon, and the suicides. These added events serve to intensify the play.
Although the last play in the Oedipus trilogy, Antigone was written first. The play won for Sophocles first prize at the Dionysia festival. It is still a popular play, with many stage and screen adaptations, including Jean Anouilh’s famous stage production Antigone (pr. 1944, pb. 1946; English translation, 1946), placing the story in a World War II setting, and Amy Greenfield’s 1990 stark, interpretive dance-film version (Antigone—Rites of Passion).
The conflicts within the play, represented by the conflicts between Antigone and Creon, are powerful human struggles that are still relevant today: the state versus the individual, the state versus family, the state versus the church, the old versus the young, and man versus woman. Although the Chorus delivers the moral of obedience to the laws of the...
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