King Oedipus dies in exile, leaving the kingdom of Thebes to his two sons, Eteocles and Polynices, who are supposed to take turns as rulers. Instead, the two brothers fight over the prize; civil war ensues, and in the end both of them are dead, each by the other’s hand. Creon, surviving brother of the incestuous queen Jocasta, has assumed the role of king so as to restore order in Thebes, proclaiming a state funeral for his former ally Eteocles while ordering that the body of Polynices be left to rot in the sun as a negative example to his supporters. Antigone, the younger daughter of Oedipus and Jocasta, defies Creon’s edict by digging a grave for Polynices, an act of treason punishable by death.
Elaborating on this basic plot of the ancient Greek play by Sophocles Antigon (441 b.c.e.; Antigone, 1729), twentieth century playwright Jean Anouilh begins his version with narration by the Chorus (initially known as the Prologue, performed by a single actor in Anouilh’s play). Like the Chorus in Sophocles’ version and other classical dramas, Anouilh’s narrator provides background information and running commentary to complement the action. The play is performed in modern dress (the narrator, for example, wears a dinner jacket) with occasional deliberate anachronisms, such as the mention of nightclubs and sports cars.
Antigone, fully aware of the consequences of her deed, has already buried Polynices and is preparing herself for death, gradually separating herself from Creon’s son Haemon, from her sister Ismène, from the elderly nursemaid who has cared for her since childhood, and even from her dog, to be left in the nursemaid’s care. Creon, upon learning from his guards that Polynices has been buried, at first...
(The entire section is 733 words.)