Andrea Dworkin Biography


(Critical Guide to Censorship and Literature)

In 1981 Dworkin published a book called Pornography: Men Hating Women. This book, more than any others that she later published, brought her to the attention of the general public. In it Dworkin firmly rejects the view that pornography is a form of expression and argues that it is an issue that should even be debated as worthy of the protections given to freedom of speech by the First Amendment to the U.S. Constitution.

To consider pornography a free-speech issue would be, in her opinion, to gloss over the horror of what pornography really is. Liberals who oppose censorship and defend access to pornography on the grounds of freedom of speech do not understand, she contends, what pornography is all about: the violent hatred of men against women, behavior comparable to terrorism. In its turn, the terrorism of pornography leads to further harmful acts by particular men against particular women, including rape and spousal abuse. Just as important, Dworkin took pornography to be a means for men in general to harm women in general, by confining them to a “sexual underclass” within society.

Together with law professor Catharine A. MacKinnon, Dworkin actively tried to influence public policy concerning pornography. In the early 1980’s, the two proposed antipornography ordinances for the cities of Minneapolis and Indianapolis that would have enabled women to bring civil lawsuits against those involved in the pornography industry....

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Andrea Dworkin Biography

(Society and Self, Critical Representations in Literature)

Andrea Dworkin was born to left-wing Jewish parents. Inspired by the peace movement of the 1960’s, Dworkin participated in a number of antiwar demonstrations. It was at one of these demonstrations that she had the experience that changed her life. At eighteen she was arrested and taken to the Women’s House of Detention. Her treatment there was brutal: bullying, harsh internal examinations, and authoritarian contempt left her emotionally and physically scarred. Released after four days, Dworkin hemorrhaged vaginally for two weeks. She spoke out publicly about her trauma in an attempt to find out why any woman should be humiliated in so sexual a way. Her marriage to a Dutch anarchist awakened her to the reality of sexual violence in relationships; he beat her severely until she escaped from him with the help of feminist friends. She was an intelligent, educated woman who had been graduated from Bennington College, but she could not prevent herself from being hurt.

Dworkin described her childhood as one that taught her to defy convention. As a Jewish child, she refused to sing Christmas carols such as “Silent Night” at school. When her brush with the law and her nightmarish marriage left her horrified by the status of women, she took action.

Woman Hating: A Radical Look at Sexuality, Dworkin’s first major work, echoes the pain of her personal experiences of misogyny. Later books, such as Our Blood: Prophecies and Discourses on Sexual Politics and Intercourse, go further into the implications of the sexual act itself. Dworkin analyzed the historical perceptions of rape and possession and of the biology of sexual contact. She also studied pornographic magazines in an attempt to understand how women are demeaned by pornography. Since many critics, such as one reviewer from the London Review of Books, found Dworkin’s lack of makeup, her unflattering clothes, and her heaviness to be unattractive, Dworkin had to relate to a double standard of beauty that does not apply to male writers, no matter how polemic they may be. As do other feminist writers, Dworkin enlightend women about gender roles in society. Dworkin died at her home in Washington, D.C. in 2005.

Andrea Dworkin Biography

(Masterpieces of Women's Literature, Critical Edition)

Many mainstream feminists contest Andrea Dworkin’s extreme sexual politics that, in her own words, deal with “the morbid side of the women’s movement.” Dworkin may be best known for the statement, inaccurately attributed to her, that “All heterosexual sex is rape.” Her writings do reveal two controversial beliefs: first, that the prevailing bipolar conceptualization of male/female gender is based on inaccurate and destructive “fictions, caricatures, cultural constructs”; and second, that “[t]he governing reality for women is that there is no escape from male violence, because it is inside and outside, intimate and predatory.”

Much of Dworkin’s activism focused on the issue of pornography, which she saw as one of the ways in which antiwoman violence is taught and supported, through pornography’s depiction of women as sexual objects. In 1983, Dworkin and Minnesota lawyer Catharine A. MacKinnon drafted a Minneapolis ordinance that defined pornography as “a systematic practice of exploitation and subordination based on sex.” Carefully detailing those materials and actions fitting under this definition, the ordinance would outlaw pornography because it “diminish[es] opportunities for equality of rights . . . guaranteed to all citizens under the Constitution and laws of the United States.” Although the ordinance was twice vetoed by the mayor of Minneapolis, different versions resulted in court battles throughout the United States and Canada.

Dworkin’s writings included Woman Hating (1974), Intercourse (1987), Letters from the War Zone (1993), and several articles on spousal abuse “in solidarity with Nicole Brown Simpson,” whom many believed to have been abused and perhaps murdered by her former husband, football star O. J. Simpson. Dworkin died at her home in Washington, D.C. in April, 2005.

Andrea Dworkin Biography

(Great Authors of World Literature, Critical Edition)

Andrea Dworkin became known as one of the most outspoken leaders of the feminist movement. Although she is an author of fiction about victimized women, Dworkin is best known for her controversial nonfiction. Dworkin has declared that her writing is intended to expose the nastier side of male/female relationships: pornography, spouse abuse, and rape. Born in 1946 to Harry Dworkin, a guidance counselor, and Sylvia Spiegel, a secretary, she grew up aware that there were issues in life that needed to be addressed: She describes herself as the kind of person who, at eight or nine, would refuse to sing “Silent Night” in public school because to do so would deny her Jewish faith. Even as a child she believed that writing could change minds.

At the age of eighteen Dworkin was awakened to women’s powerlessness. Arrested during an antiwar protest, she was confined for four days to the Women’s House of Detention, where she was brutalized as part of the standard inmate routine. After her release, she suffered from a vaginal hemorrhage for two weeks. Careless internal examination, authoritarian disrespect, and bullying left her emotionally scarred as well, but Dworkin insisted on publicly confronting the system that allowed a woman to be humiliated in so sexual a fashion. Her growing awareness of the role polarity of sex in American culture led her to write Woman Hating. The book graphically depicts the sexual abuse of women, examines the historical and psychological position of the woman within society, and presents such issues as female masochism, rape, “white slavery,” and the execution of witches during the Middle Ages. To Dworkin, women are victims of their gender and desperately need to separate themselves from traditional sex roles.

Married for three years to a Dutch anarchist who beat her, Dworkin knows about the victimization of women. Because the only people who helped her to escape this abuse were feminists, Dworkin became increasingly concerned about the silent majority of women who simply allow victimization to occur. In Right-Wing Women she theorizes that it is the fear of male violence, more than...

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Andrea Dworkin Bibliography

(Critical Guide to Censorship and Literature)

Allen, Amy. “Pornography and Power.” Journal of Social Philosophy 32 (Winter, 2001): 512-531. Claims that Dworkin and Catharine A. MacKinnon’s conceptualization of power is inadequate.

Blakely, Mary Kay. “Is One Woman’s Sexuality Another Woman’s Pornography?” Ms. 13 (April, 1985): 37-38.

Dworkin, Andrea. Letter to The New York Times Book Review, May 3, 1992, 15-16.

Eberly, Rosa A. Citizen Critics: Literary Public Spheres. Urbana: University of Illinois Press, 2000. Contains a chapter on Dworkin’s novel Mercy.

Green, Karen. “De Sade, de Beauvoir, and Dworkin.” Australian Feminist Studies 15 (March, 2000): 69-81. Contrasts Simone de Beauvoir and Dworkin in an attempt to identify constructive feminism.

Jenefsky, Cindy. Without Apology: Andrea Dworkin’s Art and Politics. Boulder, Colo.: Westview Press, 1998. The first book-length study of Dworkin’s works as both writer and social critic.

O’Driscoll, Sally. “Andrea Dworkin: Guilt Without Sex.” The Village Voice, July 15-21, 1981. An objective essay. Presents the most radical side of Dworkin’s writings: her views on pornography and sexual politics.

Pagnaterro, Marisa Anne. “The Importance of Andrea Dworkin’s Mercy: Mitigating Circumstances and Narrative Jurisprudence.” Frontiers 19, no. 1 (1998): 147-166. Extensive review of Dworkin’s novel, providing much contextual information.

Palczewski, Catherine Helen. “Contesting Pornography: Terministic Catharsis and Definitional Argument.” Argumentation and Advocacy 38 (Summer, 2001): 1-16. Critique of Dworkin and MacKinnon’s views on pornography.