Themes and Meanings
The point of the story is that the misery of poverty is so immobilizing that victims do not have the will to overcome their wretchedness. Stephen Crane is elusive on the issue of cause and effect: whether the poor are responsible for their fate or are merely tragic pawns in an immutable world. The experimenter rapidly sinks into a state of “profound dejection,” concluding finally that “there no longer could be pleasure in life.” Misery loves company, as the saying goes, and the youth feels like an outcast among the well-dressed and purposeful, preferring the company of those who trudge aimlessly, stare dolefully, loiter patiently, get swallowed up by the saloon, and heave on flophouse cots like “stabbed fish.”
Misery also breeds passivity, but there are exceptions such as the little pudgy fellow who curses like a fishwife and the enigmatic “assassin” whose gestures are awkward but extravagant. Claiming to be a gentleman “down on his luck,” he begs for coppers in a coaxing voice that resembles that of an affectionate puppy. The youth’s handout makes his countenance “radiant with joy.” On his cot he snores with “incredible vigor,” his wet hair and beard glistening and his nose shining “with subdued luster.” Liquor clouds his memory and makes him, at times, incoherent, but a warm breakfast puts a red grin on his face and leads him to declare that “we’ve been livin’ like kings.” In his limping step is a “suggestion...
(The entire section is 524 words.)