Alice’s Adventures in Wonderland presents a world in which everything, including Alice’s own body size, is in a state of flux. She is treated rudely, bullied, asked questions that have no answers, and denied answers to her own questions. Her recitations of poems turn into parodies, a baby turns into a pig, and a cat turns into a grin. The essence of time and space is called into question, and her romantic notion of an idyllic garden of life turns out to be a paper wasteland. In order to escape that oppressive and disorienting vision, she finally denies it with her outcry, “You’re nothing but a pack of cards!,” and happily reenters the morally intelligible and emotionally comfortable world of her sister, who sits next to her on the green banks of a river in a civilized Victorian countryside.
The assaults on Alice’s senses of order, stability, and proper manners wrought by such characters as the Hatter, the Cheshire Cat, and the March Hare make it clear that Wonderland is not the promised land, a place of sleepy fulfillment. Rather, Wonderland stimulates the senses and the mind. It is a monde fatale, one that seduces Alice (and the reader) to seek new sights, new conversations, and new ideas, but it never satisfies her. Conventional meaning, understanding, and the fulfillment that comes with illumination are constantly denied her. That is the secret of Wonderland: Its disorienting and compelling attractions make it a Wanderland...
(The entire section is 818 words.)
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