Absurdism Biography

Introduction

Absurdism, and its more specific companion term Theatre of the Absurd, refers to the works of a group of Western European and American dramatists writing and producing plays in the 1950s and early 1960s. The term “Theatre of the Absurd” was coined by critic Martin Esslin, who identified common features of a new style of drama that seemed to ignore theatrical conventions and thwart audience expectations. Characterized by a departure from realistic characters and situations, the plays offer no clear notion of the time or place in which the action occurs. Characters are often nameless and seem interchangeable. Events are completely outside the realm of rational motivation and may have a nightmarish quality commonly associated with Surrealism (a post-World War I movement that features dream sequences and images from the unconscious, often sexual in nature). At other times, both dialogue and incidents may appear to the audience as completely nonsensical, even farcical. However, beneath the surface the works explore themes of loneliness and isolation, of the failure of individuals to connect with others in any meaningful way, and of the senselessness and absurdity of life and death.

The writers most commonly associated with Absurdism are Samuel Beckett, Eugène Ionesco, Jean Genet, Arthur Adamov, Harold Pinter, and Edward Albee, as well as a number of lesser-known dramatists. The avant-garde nature of absurdist writing contributed in part to its short life as a literary movement. Features of the plays that seemed completely new and mystifying to audiences in the 1950s when absurdist works first appeared, soon became not only understandable, but even commonplace and predictable. With the exception of Ionesco, most playwrights abandoned the absurdist style after the 1960s; however, many of the individual plays are now considered classics of European and American drama.

Absurdism Representative Authors

Arthur Adamov (1908–1970)
Arthur Adamov was born August 23, 1908, in Kislovodsk, Russia, to Sourene and Helene Bagatourov Adamov, wealthy Armenians who were in the oil business. The family moved to Paris when Adamov was twelve, and he was educated in Switzerland and Germany. Although he wrote poetry, essays, and an autobiography, Adamov is most famous as a playwright. In the early part of his writing career, he was associated with Surrealism and Absurdism. His plays, written in French, focused on the loneliness and isolation of all humans, on the limited ability of individuals to make meaningful connections with others, and on the inevitable and meaningless nature of death. His most famous play from this period of his life is Le pingpong (1955; translated as Ping-Pong in 1959). After the mid-1950s, Adamov rejected Absurdism and began writing plays that were more realistic, more optimistic, and more concerned with individuals in social and political contexts. As he revealed in his autobiographical writings, he was plagued by guilt and neuroses all his life. He drank heavily and towards the end of his life his mental and physical health failed to the point where he could no longer work. He died March 16, 1970, from an overdose of barbiturates.

Edward Albee (1928–)
Edward Albee was born on March 12, 1928, in Virginia, to unknown parents who gave him up for adoption shortly after his birth. His adoptive father was Reed Albee, who owned part of the Keith- Albee theater circuit, and his adoptive mother was the former Frances Cotter. Albee was raised in a wealthy home in Larchmont, New York, with his parents and his grandmother. He made frequent trips to the city to attend the theater during his childhood, and his parents often hosted a variety of theater people in their home. Albee attended Trinity College in Hartford, Connecticut, in 1946-47, but did not earn a degree. He wrote poetry in the early part of his career, but with little success. He turned to drama and in 1958 published his one-act play The Zoo Story, which premiered the following year in Berlin and shortly thereafter in New York. In 1959, Albee wrote The Sandbox and in 1961, The American Dream, both of which opened in New York during 1960-61. Although Albee has written many more plays, these first three are the ones critics generally associate with the Theatre of the Absurd. All three are spare, single-act dramas featuring few characters and are concerned with the isolation of the individual and the artificial nature of American values. Albee’s dramas have received numerous awards, among them three Pulitzer Prizes: in 1967 for A Delicate Balance, in 1975 for Seascape, and in 1994 for Three Tall Women.

Fernando Arrabal (1932–)
Fernando Arrabal was born in Melilla, Morocco, on August 11, 1932, to Fernando and Carmen Teran Arrabal Ruiz. As a child, Arrabal lived in Spain in the early days of the reign of Francisco Franco, the fascist dictator. He was educated at the University of Madrid, and in 1958 he married a professor, Luce Moreau; the couple had two children. In 1967, Arrabal was imprisoned in Spain for his political views. His release was accomplished through the efforts of P.E.N., an international organization of writers. Although Arrabal’s work was strongly influenced by Surrealism and Absurdism, the designation with which he preferred to describe his drama was “Theatre of Panic.” His work has a nightmarish quality involving insanity, brutal violence, and sadistic sexuality. He is noted for creating gentle, child-like characters who are paradoxically responsible for the most unspeakable acts of brutality and degradation.

Samuel Beckett (1906–1989)
Nobel Prize winner...

(The entire section is 1546 words.)