It is appropriate that 365 Days should begin and end with a sense of the interconnectedness of the medical and combat services, for their members are the true heroes and heroines of these sketches. Just as Glasser recognized that “there is not . . . a community in America that would not have been proud” to claim Zama’s hospital for its own, so he himself is able to feel proud of the soldiers he comes to know and respect. In writing of moments in the soldiers’ and medics’ lives, Glasser emphasizes a pattern of naivete, dedication, frustration, and personal sacrifice. This archetypal pattern of the loss of innocence links these diverse sketches together.
Ultimately, the author focuses on the naive goodness of the soldiers and medics. In “The Shaping-Up of Macabe,” for example, Glasser relates how Macabe evolves from an idealistic college Reserve Officers’ Training Corps (ROTC) cadet into a pragmatic and efficient artillery officer. Glasser writes, “Hemingway had his Spain; Macabe would have his Vietnam.” Macabe volunteers for one specialized training course after another, from artillery training to “jump” school to ranger training, and learns that this war is not romantic. He comes to focus, even while in training, “always on the immediate.” According to Glasser, Macabe and the other soldiers in his unit “were learning how to live with someone trying to kill them.” Thus Macabe’s violent retributive actions become understandable in the context of his situation, for their “unit had been hit three nights in a row.”
This American pragmatism, born of naivete, is effective—“most of the time it works,” notes Glasser. In “Gentlemen, It Works,” Glasser interweaves the stories of two soldiers, Dienst and Washington, with a brief history of military psychiatric practices. Beginning with the errors of the past (the evacuation procedures used during World War I and the individual, intensive psychotherapy emphasized by Freudians during World War II), a psychiatric medical adviser suggests a newer, pragmatic approach, stressing that “health rather than disease” is the most efficient way of treating combat exhaustion. In depicting the successful return of both Dienst and Washington to their units, Glasser advocates the ultimate compassion of...
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In commenting on “Brock,” one early critic of Vietnam War literature observed that this piece demonstratesthe unique serviceability of the shorter fictional modes in coming to terms with the sense of episodic randomness and strange fragmentation that so often seemed to characterize one’s vision of the actual experience of the war.
Yet “Brock,” which is not—strictly speaking—“fictional,” does more than this in the context of the book as a whole, for it is here that the central themes coalesce most clearly. What appears in this story is reinforced, or repeated with variation, in other sketches in the narrative. Rather than being seventeen discrete sketches, 365 Days displays, in its concern for social, medical, and military issues, a thematic unity that emphasizes the encompassing nature of the Vietnam War experience. In this it bears a remarkable likeness to Walt Whitman’s meditations on the Civil War, Specimen Days and Collect (1882-1883), and Ernest Hemingway’s tales of World War I, In Our Time (1924).
Despite the artistry of this nonfiction narrative, however, it has not escaped social criticism. Ostensibly for its liberal use of obscenities, the narrative was banned in 1981 from a high school library in Baileyville, Maine. Reaching a federal district court in Bangor in December, 1981, the controversy received some press coverage and eventual notoriety. Indeed, the library had housed only...
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