Tom Stoppard (Cyclopedia of World Authors)

Catapulted to fame in 1967 with the National Theatre’s production of Rosencrantz and Guildenstern Are Dead (it was first produced in Edinburgh), Tom Stoppard (STOP-ahrd) emerged as a leading dramatist in the second of the two waves of new drama that arrived on the London stage in the mid-1950’s and the mid-1960’s. Writing high comedies of ideas with what critic Kenneth Tynan described as a hypnotized brilliance, Stoppard established a reputation almost immediately with dazzling displays of linguistic fireworks that evoked comparisons with Oscar Wilde, George Bernard Shaw,...

[The entire page is 1589 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the: