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Tom Stoppard (Cyclopedia of World Authors)
Catapulted to fame in 1967 with the National Theatre’s production of Rosencrantz and Guildenstern Are Dead (it was first produced in Edinburgh), Tom Stoppard (STOP-ahrd) emerged as a leading dramatist in the second of the two waves of new drama that arrived on the London stage in the mid-1950’s and the mid-1960’s. Writing high comedies of ideas with what critic Kenneth Tynan described as a hypnotized brilliance, Stoppard established a reputation almost immediately with dazzling displays of linguistic fireworks that evoked comparisons with Oscar Wilde, George Bernard Shaw,...
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- Tom Stoppard (Critical Survey of Drama)
- Tom Stoppard (Cyclopedia of World Authors)
See Also
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Dirty Linen/New-Found-Land (Drama) -
Dirty Linen/New-Found-Land (Character Profiles) -
Hapgood (Drama) -
Hapgood (Character Profiles) -
Jumpers (Drama) -
Jumpers (Character Profiles) -
Night and Day (Drama) -
Night and Day (Character Profiles) -
Real Thing, The (Drama) -
Real Thing, The (Character Profiles) -
Rosencrantz and Guildenstern Are Dead (Drama) -
Rosencrantz and Guildenstern Are Dead (Masterplots Classics) -
Rosencrantz and Guildenstern Are Dead (Character Profiles) -
Rosencrantz and Guildenstern Are Dead (Literary Places) -
Travesties (Drama) -
Travesties (Character Profiles) -
Acting Styles (Topical Overview--Drama) -
Dramatic Genres (Topical Overview--Drama) -
Staging and Production (Topical Overview--Drama)
