Timebends (Masterplots II: Nonfiction Series)

At a glance:

Form and Content

While All My Sons was opening in Boston in 1947, Arthur Miller was already dreaming of another play that would

cut through time like a knife through a layer cake or a road through a mountain revealing its geologic layers, and instead of one incident in one time-frame succeeding another, display past and present concurrently, with neither one ever coming to a stop.

Two years later, Death of a Salesman, the American play most firmly established in the world repertoire, achieved that structure of simultaneity and, as far as anyone...

[The entire page is 2122 words long]

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