A Thousand Clowns | Themes
Self-concept and Selfishness
When Sandra discovers that Murray has been offered two jobs but has not accepted either of them, she expresses her disappointment in a line that expresses the play’s central question: ‘‘Maybe you’re wonderfully independent, Murray, or maybe, maybe you’re the most extraordinarily selfish person I’ve ever met.’’ The line between self-awareness and self-centeredness is the line that Murray must establish as he moves through the play, and it is this line that determines whether other characters find Murray enchanting or exasperating....
[The entire page is 911 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- A Thousand Clowns: Introduction
- A Thousand Clowns: Summary
- A Thousand Clowns: Herb Gardner Biography
- A Thousand Clowns: Characters
- A Thousand Clowns: Themes
- A Thousand Clowns: Style
- A Thousand Clowns: Historical Context
- A Thousand Clowns: Critical Overview
- A Thousand Clowns: Criticism
- A Thousand Clowns: Topics for Further Study
- A Thousand Clowns: Media Adaptations
- A Thousand Clowns: Bibliography and Further Reading
- A Thousand Clowns: Pictures
- Copyright
Tell a friend about A Thousand Clowns at eNotes.
