Tartuffe | Religion and the Church

In this essay, Partikian explains that although Tartuffe has historically been read as a critique of religion and the church, it can be read more subtly as a critique of France's patriarchal monarchy.

Censorship and Molière's Tartuffe have run hand in hand since the very first production of the play, which scandalized ecclesiastical authorities to the point of banning the play for many years. Many studies on the work examine the trials and tribulations that Molière underwent in order to stage the work; Molière had to rework the play no less than three times over the course of five years in order to have the production finally staged. However, in spite of Molière's extensive changes, there is still an allegorical criticism of authority, especially a patriarchal monarchy...

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