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A Tale of Two Cities | Obsession with Duality
In the following excerpt, George V. Griffith discusses Dickens's obsession with duality in the book and the parallels implied between the era of the French Revolution and the author's own time.
In a preface to A Tale of Two Cities Dickens described how the idea for the novel came to him when he was playing a role in 1857 in a theatrical production of The Frozen Deep, a play written by his friend Wilkie Collins. In the play a man involved in a love triangle sacrifices his life to save the rival suitor of the woman he loves. Dickens's account of the origins of the novel points to Sydney Carton as the central character of A Tale of Two Cities, although other evidence suggests that other ideas might have played as large a role in the birth of the book....
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- A Tale of Two Cities: Introduction
- A Tale of Two Cities: Summary
- A Tale of Two Cities: Overview
- A Tale of Two Cities: Charles Dickens Biography
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A Tale of Two Cities: Summary and Analysis
- Book the First, Chapters 1, 2, and 3 Summary and Analysis
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- Book the Second, Chapter 15 Summary and Analysis
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- Book the Second, Chapters 17 and 18 Summary and Analysis
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A Tale of Two Cities: Quizzes
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- Book the Second, Chapters 17 and 18 Questions and Answers
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- Book the Third, Chapters 2 and 3 Questions and Answers
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- Book the Third, Chapters 11 and 12 Questions and Answers
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- Book the Third, Chapters 14 and 15 Questions and Answers
- A Tale of Two Cities: Essential Passages
- A Tale of Two Cities: Characters
- A Tale of Two Cities: Themes
- A Tale of Two Cities: Style
- A Tale of Two Cities: Historical Context
- A Tale of Two Cities: Critical Overview
- A Tale of Two Cities: Essays and Criticism
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