The Story of My Life | Copyright
These eNotes are an offprint from Nonfiction Classics for Students: Presenting Analysis, Context, and Criticism on Nonfiction Works.
Nonfiction Classics For Students
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COPYRIGHTED MATERIAL IN NCfS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
ARIEL: A Review of International English Literature, v. 29, October, 1998 for ‘‘An interview of The Stolen Legacy of Anne Frank’’ by Adrienne Kertzer. Copyright © 1998 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher and the author.—Arizona Quarterly, v. 53, Autumn, 1997 ‘‘Capote’s In Cold Blood: The Search for Meaningful Design’’ by John Hollowell. Copyright © 1997 by Arizona Board of Regents. Copyright © 1997 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—BJHS, v. 16, November, 1982 for a review of ‘‘Double Helix’’ by Edward Yoxen. © The British Society for the History of Science. Reprinted with permission of Cambridge University Press.—CLA Journal, v. xx, December, 1976; v. xxv, September, 1981. Copyright, 1976, 1981 by The College Language Association. Both used by permission of The College Language Association.—College Literature, v. 22, October, 1995. Copyright © 1995 by West Chester University. Reproduced by permission.—Critical Inquiry, v. 26, Winter, 2000. Copyright © 2000 by The University of Chicago. Reproduced by permission.— Essays in Literature, v. 10, Fall, 1983. Copyright 1983 by Western Illinois University. Reproduced by permission.—The Griot, v. 14, Spring, 1995. Reproduced by permission.—Journal of American Culture, v. 22, Summer, 1999. Reproduced by permission.—Journal of the Early Republic, v. 16, Winter, 1996. © 1996 Society for Historian of the Early American Republic. Reproduced by permission.—Michigan Quarterly Review, v. xxxix, Summer, 2000 for ‘‘Writing from the Secret Annex: The Case of Anne Frank’’ by Karein K. Goertz. Copyright © The University of Michigan, 2000. All rights reserved. Reproduced by permission of the author.—The Midwest Quarterly, v. xxxv, Autumn, 1993. Copyright © 1993 by The Midwest Quarterly, Pittsburgh State University. Reproduced by permission.—National Review, v. xliv, June 22, 1992. Copyright © 1992 by National Review, Inc, 215 Lexington Avenue. New York, NY 10016. Reproduced by permission.—Raritan: A Quarterly Review, v. 5, Winter, 1986. Copyright © 1986 by Raritan: A Quarterly Review. Reproduced by permission.—Studies in American Jewish Literature, v. 7, Spring, 1988. © 1988 by The Kent State University Press. Reproduced by permission.— Technology and Culture, v. 30, April, 1989. © The Johns Hopkins University Press. Reproduced by permission.—The Virginia Quarterly Review, v. 40, Winter, 1964. Copyright, 1964, renewed 1992, 1977 by The Virginia Quarterly Review, The University of Virginia./v. 73, Winter, 1977. Both reproduced by permission of the publisher.— The William and Mary Quarterly, v. liv, January, 1997. Copyright, 1997, by the Institute of Early American History and Culture. Reproduced by permission.
COPYRIGHTED MATERIAL IN NCfS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Curie, Eve. From an introduction to Madame Curie. Translated by Vincent Sheean. Garden City Publishing Co., Inc. 1940. Copyright, 1937. Copyright © 1940 by Doubleday, a division of Random House, Inc. Used by permission of the publisher.— Fussell, Paul. From The Great War and Modern Memory. 1975. Oxford University Press. © 1975 Oxford University Press. Used by permission of Oxford University Press, Inc.—Gunnars, Kristjana. From Isak Dinesen and Narrativity. Edited by Gurli A. Woods. Carleton University Press, 1990. Reproduced by permission.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCfS, VOLUME 2, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Ambrose, Stephen, speaking at the National Press Club in Washington D.C., April, 1997, photograph by Ken Sedeno. Archive Photos. Reproduced by permission.—An illustration of James (Jim) Corbett fighting John L. Sullivan, 1892, photograph. AP/Wide World Photos. Reproduced by permission.— Angelou, Maya, photograph. AP/Wide World Photos. Reproduced by permission.—Brooke, Rupert, photograph. Hulton-Deutsch Collection/ Corbis. Reproduced by permission.—Capote, Truman, photograph by Nancy Crampton. © Nancy Crampton. Reproduced by permission.—Clutter, Herb and his wife Bonnie, photograph. Bettmann/ Corbis. Reproduced by permission.—Clutter, Kenyon, age 15, photograph. Bettmann/Corbis. Reproduced by permission.—Clutter, Nancy, photograph. Bettmann/Corbis. Reproduced by permission.— Curie, Eve, photograph. Archive Photos, Inc. Reproduced by permission.—Curie, Marie, photograph. Archive Photos, Inc. Reproduced by permission.— Curie, Marie, Pierre Curie, photograph. AP/Wide World Photos. Reproduced by permission.—Dinesen, Isak, 1957, photograph. Archive Photos, Inc. Reproduced by permission.—Douglass, Frederick, photograph. The Library of Congress.—Douglass, Frederick, on cover of ‘‘The Fugitive’s Song,’’ sheet music, 1845, lithograph by E. W. Bouve.—European man standing with his wife, photograph by Underwood & Underwood. Corbis. Reproduced by permission.— Frank, Anne, photograph. The Library of Congress.—From a stage production still for ‘‘The Miracle Worker’’ by William Gibson. Archive Photos. Reproduced by permission.—Glen Canyon Dam releasing water into Colorado River, 1996, Page, Arizona, photograph. AP/Wide World Photos. Reproduced by permission.—Graves, Robert, photograph. AP/Wide World Photos, Inc. Reproduced by permission.— Hidden living quarters inside of Anne Frank House, photograph by Wolfgang Kaehler. Corbis. Reproduced by permission.—Keller, Helen, Anne Sullivan, photograph. AP/Wide World Photos. Reproduced by permission.—Keller, Helen, photograph. Kennedy, John F., photograph. The Library of Congress.—Ku Klux Klansmen kneeling in a circle, 1920’s, photograph. Archive Photos. Reproduced by permission.—Leary, Timothy, photograph. Archive Photos, Inc. Reproduced by permission.—Lewis, Meriwether, photographg. Corbis. Reproduced by permission.—Map of western United States showing route of Lewis, Clark and Sacawagea’s exploration of the West, illustration by XNR Productions. The Gale Group.—Perkins, Millie, Joseph Schildkraut, Gusti Huber, Lou Jacobi, Richard Beymer, and Diane Baker peaking out a broken window in the film version of ‘‘The Diary of Anne Frank,’’ photograph. Archive Photos, Inc. Reproduced by permission.—Powell, John W., engraving. The Library of Congress.—Rabe, Pamela, portraying Virgina Woolf in ‘‘A Room of One’s Own.’’ Shaw Festival Theatre. Reproduced by permission.—Redford, Robert, Meryl Streep, in the film ‘‘Out of Africa,’’ 1985, photograph. The Kobal Collection. Reproduced by permission.— Roosevelt, Eleanor, at age 6, photograph. Bettmann/ Corbis. Reproduced by permission.—Roosevelt, Eleanor, photograph. The Library of Congress.— Roosevelt, Franklin, seated with wife Eleanor and his mother, photograph. Archive Photos. Reproduced by permission.—Taft, Robert A., photograph. The Library of Congress.—Title page and engraved portrait from ‘‘Narrative of the Life of Frederick Douglass, an American Slave.’’ Bettmann/Corbis. Reproduced by permission.—Typical slave family, photograph by T. H. O’Sullivan. The Library of Congress.—Watson, James and Crick, Francis, photograph. Archive Photos, Inc. Reproduced by permission.—Watson, James Dewey, photograph. Express Newspapers/J803/Archive Photos. Reproduced by permission.—Watson, James Dewey, photograph. The Library of Congress.—Webster, Daniel, c. 1840–1852, photograph by Mathew Brady. The National Archives/Corbis. Reproduced by permission.— Woman in polka dot dress, sitting by fireplace, photograph. © Hulton-Deutsch Collection/ Corbis. Reproduced by permission.—Woolf, Virginia, photograph. AP/Wide World Photos. Reproduced by permission.—Young couple experiencing the Merry Pranksters’ Acid Test Graduation, photograph by Ted Streshinsky. Corbis. Reproduced by permission.
