Speed-the-Plow (Magill’s Survey of American Literature, Revised Edition)

At a glance:

In this play, the question of the worth of a commodity is made the center of the conflict. Far from being useless, worthless property, as in Glengarry Glen Ross, here the “product” is a film script more or less guaranteed to make money versus a very questionable project that has no real value but is valuable to the spirit of the men involved.

Bobby Gould, a newly promoted production executive, is visited by an old “friend and associate,” Charlie Fox. Gould has “a new deal” with the money man, Ross (offstage). In a power position, Gould is constantly...

[The entire page is 867 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the: