The Song of Igor's Campaign | Copyright

These eNotes are copyrighted by eNotes.com, Inc.. No part of this content may be reproduced in any form without the permission of eNotes.

©2005 - 2009 Enotes.com Inc.

All Rights Reserved
No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems—without the written permission of Enotes.com.

For permission to use material from this product, submit your request via our help form.

These eNotes are an offprint from Epics For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Epics.

Epics For Students

Project Editor David Galens

Editorial
Sara Constantakis, Elizabeth A. Cranston, Kristen A. Dorsch, Anne Marie Hacht, Madeline S. Harris, Arlene Johnson, Michelle Kazensky, Ira Mark Milne, Polly Rapp, Pam Revitzer, Mary Ruby, Kathy Sauer, Jennifer Smith, Daniel Toronto, Carol Ullmann

Research
Michelle Campbell, Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie Richardson

Data Capture
Beverly Jendrowski

Permissions
Mary Ann Bahr, Margaret Chamberlain, Kim Davis, Debra Freitas, Lori Hines, Jackie Jones, Jacqueline Key, Shalice Shah-Caldwell

Imaging and Multimedia
Randy Bassett, Dean Dauphinais, Robert Duncan, Leitha Etheridge-Sims, Mary Grimes, Lezlie Light, Jeffrey Matlock, Dan Newell, Dave Oblender, Christine O'Bryan, Kelly A. Quin, Luke Rademacher, Robyn V. Young

Product Design
Michelle DiMercurio, Pamela A. E. Galbreath, Michael Logusz

Manufacturing
Stacy Melson

© 1998-2002; © 2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc.

Gale and Design® and Thomson Learning ™ are trademarks used herein under license.

For more information, contact
The Gale Group, Inc
27500 Drake Rd.
Farmington Hills, MI 48334-3535
Or you can visit our Internet site at
http://www.gale.com

ALL RIGHTS RESERVED.
No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems—without the written permission of the publisher.

For permission to use material from this product, submit your request via Web at http://www.gale-edit.com/permissions, or you may download our Permissions Request form and submit your request by fax or mail to:

Permissions Department
The Gale Group, Inc
27500 Drake Rd.
Farmington Hills, MI 48331-3535

Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax: 248-699-8074 or 800-762-4058

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, The Gale Group, Inc. does not guarantee the accuracy of the data contained herein. The Gale Group, Inc. accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

The editors wish to thank the copyight holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us m securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Epics for Students (EfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN EFS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The Christian Century, v. 110, February 24, 1993. Copyright Christian Century Foundation 1993 Reproduced by permission.—CIA Journal, v. XX, December, 1976. Copyright, 1976 by The College Language Association. Used by permission of The College Language Association.—Classical Antiquity, v. 13, October, 1994; v. 15, October, 1996. © 1994,1996 by The Regents of the University of California. Both reproduced by permission.— Classical Philology, v. 90, January, 1995. © 1995 by The University of Chicago All rights reserved. Reproduced by permission.—The Economist, December 25, 1999. © 1999 The Economist Newspaper Group, Inc. Reproduced with permission Further reproduction prohibited.—English Language Notes, v. XXII, September, 1984 © copyrighted 1984, Regents of the University of Colorado. Reproduced by permission.—English Literary Renaissance, v. 26, Spring, 1996. Copyright © 1996 by English Literary Renaissance. Reproduced by permission.—The Explicator, v. 54, Summer, 1996; v. 57, Summer, 1999. Copynght 1996, 1999 by Helen Dwight Reid Educational Foundation. Both reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, D.C. 20036-1802.— Forum for Modern Language Studies, v. 18, 1982 for "Appearances and Reality in 'La Mort le Roi Artu''' by Donald C. MacRae. Reproduced by permission of the publisher and the author.—The French Review, v. 67, December, 1993. Copynght 1993 by the American Association of Teachers of French. Reproduced by permission.—Maal Og Minne, 1988. Reproduced by permission.—Modern Language Review, v. 69, January, 1974; v. 71, January, 1976. Both reproduced by permission.—Mosaic: A Journal for the Interdisciplinary Study of Literature, v XDC, Summer, 1986 © Mosaic 1986. Acknowledgment of previous publication is herewith made.—Ramus— Critical Studies in Greek and Roman Literature, v. 24,1996. Reproduced by permission.—Renaissance Quarterly, v. 31, Spnng, 1978. © 1978 Renaissance Society of America. Reproduced by permission.— Russian Literature, v. 42, 1997. © 1997 Elsevier Science B. V. All rights reserved. Reproduced with permission from Elsevier Science.—The Russian Review, v. 56, October, 1997. Reproduced by permission.—Slavic Review, v. 39, June, 1980. Copyright © 1980 by the American Association for the Advancement of Slavic Studies, Inc. Reproduced by permission.

COPYRIGHTED EXCERPTS IN EFS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bartsch, Shadi. From Ideology in Cold Blood: A Reading ofLucan's Civil War. Harvard University Press, 1997. Copyright © 1997 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission.—Brand, C. P. From Torquato Tasso: A Study of the Poet and of His Contribution to English Literature. Cambridge at the University Press, 1965. © Cambridge University Press 1965. Reprinted with permission of Cambridge University Press and the author.—Censola, Anne-Sophie. From '"Les Miserables': Criticism" in Novels for Students, Vol. 5. Edited by Sheryl Ciccarelli and Marie Napierkowski. Gale Group, 1999. Copyright © 1999 by The Gale Group. Reproduced by permission-—Hollander, Lee M. From The Poetic Edda. Revised edition. Translated by Lee M. Hollander. University of Texas Press, 1962. Copyright © 1962, renewed 1990. By permission of the University of Texas Press.—Kay, Sarah. From ' 'Adultery and Killing in 'La Mort le Roi Artu''' in Scarlet Letters: Fictions of Adultery from Antiquity to the 1990s. Edited by Nicholas White and Naomi Segal. Macmillan Press Ltd., 1997. Editorial matter and selection © Nicholas White and Naomi Segal 1997. Text © Macmillan Press Ltd. 1997. All rights reserved. Reproduced by permission.—Kelly, Patricia. From "The Tain as Literature" in Aspects of the Tain. Edited by J. P. Mallory. December Publications, 1992. © J. P. Mallory and others, 1992. Reproduced by permission.—Kenner, Hugh. From "Pound and Homer" in Ezra Pound among the Poets. Edited by George Bornstein. University of Chicago Press, 1985. © 1985 by The University of Chicago. All rights reserved. Reproduced by permission.—Knowles, A. V. From '"War and Peace': Overview" in Reference Guide to World Literature, second edition. Edited by Lesley Henderson. St. James Press, 1995. Reproduced by permission.—Porter, Laurence M. From Victor Hugo. Twayne Publishers, 1999. Copyright © 1999 by Twayne Publishers. All rights reserved. Reproduced by permission.—Ross, Charles. From The Custom of the Castle: From Malory to Macbeth. University of California Press, 1997. Copyright © 1996 The Regents of the University of California. Reproduced by permission.—Rowe, William W. From Leo Tolstoy. Twayne Publishers, 1986. Reproduced by permission.—Shipley, T. A. From The Road to Middle-Earth. George Allen & Unwin, 1982. Copyright © Tom Shippey 1982. Reproduced by permission of HarperCollins Publishers Ltd.—Terrell, Carroll F. From "Pound, Ezra" in The Reader's Companion to American History Edited by Eric Foner and John A. Garraty. Houghton Miffiin Company, 1991. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN EFS, VOLUME 2, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Anglo-Saxon Viking, illustration. Picture Collection, The Branch Libraries, The New York Public Library.—Beowulf, photograph.—Caesar, (Gaius) Julius, painting. The Library of Congress.—Cato, Marcus Porcius, engraving. The Library of Congress.—From a painting by E. Wallcousins in' 'Celtic Myth and Legend" by Charles Squire. Mary Evans Picture Library. Reproduced by permission.— "Chronicle of the Crusades," photograph. © Gianni Dagli Orti/CORBIS. Reproduced by permission.— Commemoration of the Storming of the Bastille, photograph. © Hulton-Deutsch Collection/CORBIS. Reproduced by permission.—Confucius, drawing. Archive Photos/Popperfoto. Reproduced by permission.-—"The Death of Balder," painting by Dorothy Hardy.—Design of new 2,000 yen bill, photograph. © Reuters Newmedia Inc./CORBIS Reproduced by permission.—Elizabeth I, photograph. © Bettmann/CORBIS. Reproduced by permission.—Epicurus, 1810 engraving by George Cooke. The Library of Congress.—Title page from "Faerie Queen" by Edmund Spenser, photograph. © Bettmann/CORBIS. Reproduced by permission.— Forum Romanum, Rome, photograph. New York Public Library Picture Collection.—Harris, Richard and Vanessa Redgrave, in the film "Came-lot," 1967, photograph. The Kobal Collection. Reproduced by permission.—Hugo, Victor, drawing. French Embassy Press and Information Division.—King Arthur (being transported to Avalon after his death), photograph. © Bettmann/CORBIS. Reproduced by permission.—King Arthur, photograph. © Francis G. Mayer/CORBIS. Reproduced by permission.—Lucretius, engraving. The Library of Congress.—March, Frederic, in the firm "Les Miserables," 1935, photograph. The Kobal Collection. Reproduced by permission —Medieval Russian clergy (standing in cluster), photograph. © Austrian Archives/CORBIS. Reproduced by permission.—Mussolini, Benito, photograph. © Bettmann/CORBIS. Reproduced by permission.— ' 'Napoleon on Horseback at the St Bernard Pass," painting by Jacques-Louis David, 1801, oil on canvas. Corbis/Francis G. Mayer. Reproduced by permission.—Nero, Emperor of Rome, engraving Corbis-Bettmann/Michael Nicholson. Reproduced by permission.—Norse Goddess Fngga, illustration. Corbis-Bettmann Reproduced by permission — Norse Gods Loki and Hodur, sculpture by C. G. Qvarnstrom.—Odin (seated on throne), photograph. Christel Gerstenberg/CORBIS. Reproduced by permission.—Poole, John W. (addressing crowd), photograph © Hulton-Deutsch Collection/CORBIS. Reproduced by permission.—Pound, Ezra, photograph. The Library of Congress.—Prince of Kiev (reigned 1078-1093), c. 1090, photograph. © Archive Photos/Hulton Getty. Reproduced by permission.— ' 'Queen Maeve and the Druid," photograph. Mary Evans Picture Library. Reproduced by permission.— ' 'Queen Maeve,'' photograph. Mary Evans Picture Library. Reproduced by permission—Roman de Tristan, manuscript. © Archivo Iconografico, S A / CORBIS. Reproduced by permission —Russian Medieval nobles, photograph © Austrian Archives/ CORBIS Reproduced by permission.—"Saint George Slaying the Dragon," painting by Bernardo Martorll. © Archivo Iconografico, S. A./CORBIS. Reproduced by permission.—' 'The School of Athens' ' (many men inside structure with archways and marble statues), mural, painted by Santi Raphael, photograph by Erich Lessing. Erich Lessing/Art Resource, NY. Reproduced by permission.—Second attack of the Crusaders on Jerusalem, photograph. © Bettmann/CORBIS. Reproduced by permission — Spenser, Edmund (in dark shirt with Elizabethean ruff), drawing —Sttzhelchik, Vladislav, in the film "War and Peace," 1968, photograph. The Kobal Collection. Reproduced by permission.—Illustration from the Yugao Chapter from the "Tale of Genji," woodblock print by Buemon Akiyama Tsukioka Yoshitoshi, photograph. © Asian Art & Archaeology, Inc./CORBIS. Reproduced by permission.—Scene from the "Tale of Genji," photograph. © Archivo Iconografico, S. A./CORBIS. Reproduced by permission.—Tasso, Torquato, photograph. Archive Photo, Inc. Reproduced by permission.—Thor, illustration Corbis-Bettman Reproduced by permission.—Tolkien, J. R. R., 1973, photograph. AP/Wide World Photos. Reproduced by permission—Tolstoy, Leo, 1897, photograph. The Library of Congress.—' 'Venus de Milo,'' sculpture, arms broken off, photograph. AP/Wide World Photos. Reproduced by permission.