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Slave Ship | Introduction

Amiri Baraka's play Slave Ship: A Historical Pageant was first produced at the Spirit House theater in Newark, New Jersey, in 1967, and first published in 1969, by Jihad, the publishing house founded by Baraka himself. The play has been noted for its successful embodiment of the politics of black nationalism, the aesthetics of the Black Arts Movement, and the principals of ''revolutionary theater'' put forth by Baraka through his founding of the Black Repertory Theater in Harlem in 1965.

Slave Ship is a one-act play that takes place during distinct historical experiences in African-American history: aboard a slave ship during the Middle Passage from Africa to America, during a plantation-era uprising, and in the era of the civil rights movement. Baraka's play utilizes the representation of African-American history as a means of forging a communal African-American identity through the preservation of African cultural roots. The use of music throughout the play is central to this theme of African-American cultural identity and communal solidarity. Critics have noted the use of music in conjunction with audience participation in a communal dance to create a ritualistic drama through which theater is intended to inspire political action.

Slave Ship Summary

Baraka's one-act play opens in darkness. A variety of sounds and smells are emitted to the audience in order to represent the "atmosfeeling'' of life in the hold of a slave ship. The sounds include that of the sea, and the boat rocking, as well as the sounds of the suffering of the enslaved Africans, and the sounds of the white slave traders. The smells are meant to create an atmosphere of ‘‘life processes going on anyway,’’ and include "urine" and ‘‘excrement.’’ A light comes up on two white sailors chatting idly about the "riches'' to be had from the slave trade in America, above the "drone of terror'' from the hold below them. While the stage is still in almost complete darkness, the sounds of the enslaved Africans on the ship continue, and begin to include the sounds of humming, and chanting, as well as the voices of the suffering Africans, calling out to their gods. The sailors above them laugh and... » Complete Slave Ship Summary