A Shropshire Lad (Masterplots, Revised Second Edition)

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In 1896, the high point of what has been variously called “the yellow ’nineties” and “the Beardsley period,” Victorian poetry was at a low ebb. Alfred, Lord Tennyson and Robert Browning were both dead; Algernon Charles Swinburne had long since retired to Putney. The Pre-Raphaelite movement had subsided. Thomas Hardy was still known only as a novelist. The minor poets seemed stereotyped into two groups: those who, like Oscar Wilde, produced “Swinburne and water” and those who wrote frail imitations of the French of Paul Verlaine. The only new...

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