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ISSN 0895-9439

Volume 81

Criticism of the Works of Short Fiction Writers

Thomas J. Schoenberg Lawrence J. Trudeau Project Editors

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Thomas J. Schoenberg and Lawrence J. Trudeau

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Short Story Criticism, Vol. 81

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 88-641014

ISBN 0-7876-8878-9
ISSN 0895-9439

Printed in the United States of America 10987654321

Preface

S
hort Story Criticism (SSC) presents significant criticism of the world’s greatest short-story writers and provides supplementary biographical and bibliographical materials to guide the interested reader to a greater understanding of the authors of short fiction. This series was developed in response to suggestions from librarians serving high school, college, and public library patrons, who had noted a considerable number of requests for critical material on short-story writers. Although major short-story writers are covered in such Thomson Gale series as Contemporary Literary Criticism (CLC), Twentieth-Century Literary Criticism (TCLC), Nineteenth-Century Literature Criticism (NCLC), and Literature Criticism from 1400 to 1800 (LC), librarians perceived the need for a series devoted solely to writers of the short-story genre.

Scope of the Series

SSC is designed to serve as an introduction to major short-story writers of all eras and nationalities. Since these authors have inspired a great deal of relevant critical material, SSC is necessarily selective, and the editors have chosen the most important published criticism to aid readers and students in their research.

Approximately eight to ten authors are included in each volume, and each entry presents a historical survey of the critical response to that author’s work. The length of an entry is intended to reflect the amount of critical attention the author has received from critics writing in English and from foreign critics in translation. Every attempt has been made to identify and include the most significant essays on each author’s work. In order to provide these important critical pieces, the editors sometimes reprint essays that have appeared elsewhere in Thomson Gale’s Literary Criticism Series. Such duplication, however, never exceeds twenty percent of an SSC volume.

Organization of the Book

An SSC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parentheses on the first line of the biographical and critical introduction. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by the title of the work and its date of publication.
  • © The Introduction contains background information that introduces the reader to the author and the critical debates surrounding his or her work.
  • © A Portrait of the Author is included when available.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The first section comprises short-story collections, novellas, and novella collections. The second section gives information on other major works by the author. For foreign authors, the editors have provided original foreign-language publication information and have selected what are considered the best and most complete English-language editions of their works.
  • © Reprinted Criticism is arranged chronologically in each entry to provide a useful perspective on changes in critical evaluation over time. All short-story, novella, and collection titles by the author featured in the entry are printed in boldface type. The critic’s name and the date of composition or publication of the critical work are given at the

    • vii

    James E. Caron and M. Thomas Inge. The University of Alabama Press, 1996. Copyright © 1996 by The University of Alabama Press. Reproduced by permission.—Dunbar, Pamela. From Radical Mansfield: Double Discourse in Katherine Mansfield’s Short Stories. Macmillan Press, Ltd., 1997. Copyright © 1997 by Pamela Dunbar. All rights reserved. Reproduced with permission of Palgrave Macmillan.—Inge, M. Thomas. From Faulkner, Sut, and Other Southerners. Locust Hill Press, 1992. Copyright © 1992 by M. Thomas Inge. Reproduced by permission of the author.—Jacobs, Robert D. From “Tobacco Road: Lowlife and the Comic Tradition,” in The American South: Portrait of a Culture. Edited by Louis D. Rubin, Jr. Louisiana State University Press, 1980. Copyright © 1980 by Louisiana State University Press. Reproduced by permission.—Lee, David A. From “Language and Perspective in Katherine Mansfield’s ‘Prelude,’” in Twentieth-Century Fiction: From Text to Context. Edited by Peter Verdonk and Jean Jacques Weber. Routledge, 1995. Copyright © 1995 Peter Verdonk and Jean Jacques Weber. All rights reserved. Reproduced by permission of the publisher.—May, Charles E. From “Brick Pollitt as Homo Ludens: ‘Three Players of a Summer Game’ and Cat on a Hot Tin Roof,”in Tennessee Williams: 13 Essays. Edited by Jac Tharpe. University Press of Mississippi, 1980. Copyright © 1980 by the University Press of Mississippi. Reproduced by permission.—McFall, Gardner. From “Poetry and Performance in Katherine Mansfield’s ‘Bliss,’” in Critical Essays on Katherine Mansfield. Edited by Rhoda B. Nathan. G. K. Hall & Co., 1993. Copyright © 1993 by Rhoda B. Nathan. All rights reserved. Reproduced by permission of the Gale Group.—Rickels, Milton. From “The Grotesque Body of Southwestern Humor,” in Critical Essays on American Humor. Edited by William Bedford Clark and W. Craig Turner. G. K. Hall & Co., 1984. Copyright © 1984 by William Bedford Clark and W. Craig Turner. Reproduced by permission of The Gale Group.—Schiavi, Michael R. From “The Hungry Women of Tennessee Williams’s Fiction,” in Tennessee Williams: A Casebook. Edited by Robert F. Gross. Routledge, 2002. Copyright © 2002 by Robert F. Gross. All rights reserved. Reproduced by permission of Routledge/Taylor & Franics Books, Inc. and the author.—Shackford, James

    A. and Folmsbee, Stanley J. From an introduction to the New Edition in The Narrative of David Crockett of the State of Tennessee by David Crockett. The University of Tennessee Press, 1973. Copyright © 1973 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.—Vidal, Gore. From Tennessee Williams: Collected Stories. New Directions Books, 1985. Copyright © 1985 by Gore Vidal. Reprinted by permission of New Directions Publishing Corp.—Weaver, Gordon. From Tennessee Williams: A Study of the Short Fiction. Twayne Publishers, 1988. Copyright © 1988 by G. K. Hall & Co. All rights reserved. Reproduced by permission of the Gale Group.—Winston, Janet. From “Reading Influences: Homoeroticism and Mentoring in Katherine Mansfield’s ‘Carnation’ and Virginia Woolf’s ‘Moments of Being: “Slater’s Pins Have No Points,”’” in Virginia Woolf: Lesbian Readings. Edited by Eileen Barrett and Patricia Cramer. New York University Press, 1997. Copyright © 1997 by New York University. Reproduced by permission of the publisher and the author.—Wolter, Jurgen C. From “Tennessee Williams’s Fiction,” in Tennessee Williams: A Guide to Research and Performance. Edited by Philip C. Kolin. Greenwood Press, 1998. Copyright © 1998 by Philip C. Kolin. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.

    PHOTOGRAPHS APPEARING IN SSC, VOLUME 81, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Mansfield, Katherine, photograph. Permission of the Alexander Turnbull Library, Wellington, New Zealand. —Williams, Tennessee, photograph. Archive Photos. Reproduced by permission.—Woodcut of David Crockett (1786-1836). Published in Davy Crocketts Almanack for 1835. Copyright © National Portrait Gallery, Smithsonian Institution/ Art Resource, NY. Reproduced by permission.

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