Welty, Eudora - Copyright Page

ISSN 0895-9439

Volume 51

Criticism of the Works of Short Fiction Writers

Justin Karr Editor

Project Editor

Janet Witalec

Editorial

Jenny Cromie, Kathy D. Darrow, Justin Karr, Julie Keppen, Ellen McGeagh

Research

Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie A. Richardson

© 2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc.

Gale and Design™ and Thomson Learning™ are trademarks used herein under license.

For more information, contact

The Gale Group, Inc. 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our internet site at http://www.gale.com

ALL RIGHTS RESERVED

No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, or information storage retrieval systems—without the written permission of the publisher.

Short Story Criticism, Vol. 51

Permissions

Debra Freitas, Lori Hines

Imaging and Multimedia

Robert Duncan, Lezlie Light, Kelly A. Quin

Product Design

Michael Logusz

This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.

For permission to use material from the product, submit your request via the Web at http://www.gale-edit.com/permissions, or you may download our Permissions Request form and submit your request by fax or mail to:

Permisssions Department

The Gale Group, Inc.
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax 248-699-8074 or 800-762-4058

Composition and Electronic Capture

Gary Leach

Manufacturing

Stacy L. Melson

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

LIBRARY OF CONGRESS CATALOG CARD NUMBER 88-641014

ISBN 0-7876-5951-7
ISSN 0895-9439

Printed in the United States of America 10987654321

British Short Fiction in the Nineteenth Century: A Literary and Bibliographic Guide. Wayne State University Press, 1979. Copyrighted © 1979 by Wayne State University Press. All rights reserved. Reproduced by permission of the publisher and author.—Herdman, John. From The Double in Nineteenth-Century Fiction. MacMillan, 1990. Reproduced by permission of Palgrave.—Hoffman, Frederick J. From “Eudora Welty and Carson McCullers,” in The Art of Southern Fiction: A Study of Some Modern Novelists. Southern Illinois University Press, 1967. Copyright © 1967 by Southern Illinois University Press. All rights reserved. Reproduced by permission.—Keppler, C. F. From “The Saviour,” in The Literature of the Second Self. University of Arizona Press, 1972. Copyright © 1972 by The Arizona Board of Regents. All rights reserved. Reproduced by permission of the University of Arizona Press.—Kramer, Karl D. From “Short Story: The Art of Moral Revelation,” “Stories of Ambiguity,” in The Chameleon and the Dream. Mouton, 1970. Copyright © 1970 by Mouton. All rights reserved. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.— Maixner, Paul. From “‘The Merry Men and Other Tales and Fables,’” in Robert Louis Stevenson: The Critical Heritage. Routledge and Kegan Paul, 1981. Copyright © 1981 by Routledge and Kegan Paul. All rights reserved. Reproduced by permission.—Mathewson, Jr., Rufus W. From “Intimations of Mortality in Four Cexov Stories,” in American Contributions to the Sixth International Congress of Slavists. Mouton, 1968. Copyright © 1968 by Mouton. All rights reserved. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.—Menikoff, Barry. From “Introduction: Fable, Fiction, and Modernism,” in Tales from the Prince of Storytellers. Northwestern University Press, 1993. Copyright © 1993 by Northwestern University Press. All rights reserved. Reproduced by permission.—Miyoshi, Masao. From “Masks in the Mirror: The Eighteen-Nineties,” in The Divided Self: A Perspective on The Literature of the Victorians. New York University Press, 1969. Copyright © 1969 by New York University Press. All rights reserved. Reproduced by permission.—Nazaenko, Vadim. From “Imagery in Cexov,” in Anton Cexov as a Master of Story-Writing. Mouton & Co. B.V., 1976. Copyright © 1976 by Mouton & Co. B.V. All rights reserved. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.—O’Connor, Frank. From “The Slave’s Son,” in The Lonely Voice: A Study of the Short Story. The World Publishing Company, 1962. Copyright © 1962 by The World Publishing Company. All rights reserved. Reproduced by permission of HarperCollins Publishers.—Oates, Joyce Carol. From “The Critics,” in Eudora Welty: A Study of the Short Fiction. Twayne Publishers, 1997. Copyright © 1997 by Twayne Publishers. All rights reserved. Reproduced by permission.—Orel, Harold. From “Robert Louis Stevenson: Many Problems, Some Successes,” in The Victorian Short Story: Development and Triumph of a Literary Genre. Cambridge University Press, 1986. Copyright © 1986 by Cambridge University Press. All rights reserved. Reproduced by permission of Cambridge University Press and the author.—Poselov, G. N. From “The Style of Cexov’s Tales,” in Anton Cexov as a Master of Story-Writing. Mouton & Co. B.V., 1976. Copyright © 1976 by Mouton & Co. B.V. All rights reserved. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.—Rayfield, Donald. From “The Consequences of Sakhalin,” “Melikhovo,” “Peasants,” in Understanding Chekhov. University of Wisconsin Press, 1999. Copyright © 1999 by University of Wisconsin Press. All rights reserved. Reproduced by permission.—Rayfield, Donald. From “The Student,” in Anton Chekhov’s Short Stories: Texts of the Stories, Background, Criticism. W.W. Norton & Company, 1979. Copyright © 1979 by W.W. Norton & Company. All rights reserved. Reproduced by permission.—Roggioli, Renato. From “Storytelling in a Double Key,” in Anton Chekhov’s Short Stories: Texts of the Stories, Background, Criticism, pp. 121-30. Harvard University Press, Cambridge, Mass. Copyright © 1957 by the President and Fellows of Harvard College. Reproduced by permission of Harvard University Press.—Runyon, Randolph Paul. From “What We Talk about When We Talk about Love,” in Reading Raymond Carver. Syracuse University Press, 1992. Copyright © 1992 by Syracuse University Press. All rights reserved. Reproduced by permission of the publisher.—Saltzman, Arthur M. From “What We Talk About When We Talk About Love,” in Understanding Raymond Carver. University of South Carolina Press, 1988. Copyright © 1988 by University of South Carolina Press. All rights reserved. Reproduced by permission.—Schmidt, Peter. From “Misogyny and the Medusa’s Gaze: Welty’s Tragic Stories,” in The Heart of the Story: Eudora Welty’s Short Fiction. University Press of Mississippi, 1991. Copyright © 1991 by University Press of Mississippi. All rights reserved. Reproduced by permission.—Schmidt, Peter. From “Sibyls in Eudora Welty’s Stories,” in Eudora Welty: Eye of the Storyteller. The Kent State University Press, 1989. Copyright © 1989 by The Kent State University Press. All rights reserved. Reproduced by permission.—Sposnik, Irving S. From “A Single Glimpse, A Few Sharp Sounds,” in Robert Louis Stevenson. Twayne Publishers, 1974. Copyright © 1974 by Twayne Publishers. All rights reserved. Reproduced by permission.—Vande Kieft, Ruth M. From “The Mysteries of Eudora Welty,” in Eudora Welty. Twayne Publishers, 1962. Copyright © 1962 by Twayne Publishers. All rights reserved. Reproduced by permission.—Vinogradov, V. V. From “On Cexov’s Style,” in Anton Cexov as a Master of Story-Writing. Mouton & Co. B.V., 1976. Copyright © 1976 by Mouton & Co. B.V. All rights reserved. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.—Wall, Carey. From “‘June Recital’: Virgie Rainey Saved,” in Eudora Welty: Eye of the Storyteller. The Kent State University Press, 1989. Copyright © 1989 by The Kent State University Press. All rights reserved. Reproduced by permission.—Winner, Thomas. From “The First Serious Stories,” “Early Social Stories,” “The Searching Stories II,” in Chekhov and His Prose. Holt, Rinehart and Winston, 1966. Copyright © 1966 by Holt, Rinehart and Winston. All rights reserved. Reproduced by permission of Henry Holt and Company, LLC.—Yaeger, Patricia S. From “‘Because a Fire Was in My Head’: Eudora Welty and the Dialogic Imagination,” in Welty: A Life in Literature. University Press of Mississippi, 1987. Copyright © 1987 by University Press of Mississippi. All rights reserved. Reproduced by permission of the Modern Language Association of America.—Ziolkowski, Theodore. From “Image as Symbol: The Magic Mirror,” in Disenchanted Images: A Literary Iconography. Princeton University

Press, 1977. Copyright © 1977 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 51, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Carver, Raymond, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Chekov, Anton, photograph. International Portrait Gallery/Library of Congress.—Stevenson, Robert Louis, and King Kalakaua, photograph. AP/Wide World Photos. Reproduced by permission.—Title page from “Thrawn Janet: Markheim,” written by Robert Louis Stevenson, book balanced between fins of two mythical creatures, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Welty, Eudora (wearing light colored jacket, print scarf), 1992, photograph. AP/Wide World Photos. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Steven R. Harris

Principal Librarian English Literature Librarian The Scholars’ Centre University of Tennessee

University of Western Australia Library Mary Jane Marden

Literature and General Reference Librarian David M. Durant St. Petersburg Jr. College Reference Librarian, Joyner Library Mark Schumacher East Carolina University Jackson Library

University of North Carolina at Greensboro