Criticism > Short Story Criticism > Thurber, James - Copyright Page

Anja Barnard Editor

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SSC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN SSC, VOLUME 47, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Imago, v. 19, Winter, 1962. © The Johns Hopkins University Press. Reproduced by permission.—American Literary Realism, v. 21, Fall, 1988. Copyright © 1988 by the Department of English, The University of New Mexico. Reproduced by permission of the publisher.—American Literature, v. 63, June, 1991. Copyright © 1991 by Duke University Press, Durham, NC. Reproduced by permission.—American Transcendental Quarterly, v. 9, June, 1995; v. 13, September, 1999. Copyright 1995, 1999 by Kenneth Walter Cameron. Reproduced by permission.—Colby Library Quarterly, v. 21, December, 1985. Reproduced by permission.—Colby Quarterly, v. 29, March, 1993. Reproduced by permission of the publisher.—Criticism, v. 28, Winter, 1986. Copyright, 1986, Wayne State University Press. Reproduced by permission of the publisher.—English Language Notes, v. 25, 1987. © copyrighted 1987, Regents of the University of Colorado. Reproduced by permission.—Henry James Review, v. 17, Spring, 1996. © The Johns Hopkins University Press. Reproduced by permission.—Journal of Homosexuality, v. 39, 2000. Reproduced by permission.—Journal of Narrative Technique, v. 28, Winter, 1998. Reproduced by permission.—Kenyon Review, v. 10, Summer, 1948. Copyright © 1948 by Kenyon College. All rights reserved. Reproduced by permission.—MLN, v. 62, November, 1947. © The Johns Hopkins University Press. Reproduced by permission.—Modern Fiction Studies, v. xiii, Summer, 1967. © The Johns Hopkins University Press. Reproduced by permission.—Modern Language Quarterly, v. 46, March, 1985. © The Johns Hopkins University Press. Reproduced by permission.—New England Quarterly, v. 65, September, 1992 for “The Subversion of Genre in the Short Stories of Mary Wilkins Freeman” by Kate Gardner; v. 70, June, 1997 for “The New England Gothic by the Light of Common Day: Lizzie Borden and Mary E. Wilkins Freeman’s ‘The Long Arm’” by S. Bradley Shaw. Copyright 1992 by The New England Quarterly. Reproduced by permission of the publisher and the respective authors.—Nineteenth-Century Fiction, v. 12, June, 1957 for “The Governess Turns the Screws” by John Lydenberg. Reproduced by permission./v. 39, December, 1984 for “Designed Horror: James’s Vision of Evil in The Turn of the Screw” by David S. Miall; v. 43, September, 1988 for “Sexual Hysteria, Physiognomical Bogeymen, and the ‘Ghosts’ in The Turn of the Screw” by Stanley Renner. Reproduced by permission of the publisher and the respective authors.—Renascence, v. 40, Spring, 1988. © copyright, 1988, Marquette University Press. Reproduced by permission.—Studies in Short Fiction, v.2, Winter, 1965; v. 6, Summer, 1969;

v. 15, Falls, 1978; v. 17, Spring, 1980, v. 17, Winter, 1980; v. 22, Spring, 1994; v. 23, Winter, 1986; v.24, 1987; v. 26, 1989; v. 27, Fall, 1990; v. 3, Spring, 1966; v. 33, Winter, 1996; Copyright 1978 by Newberry College. Reproduced by permission.—Texas Studies in Literature and Language, v. 5, Summer, 1963 for “Caste in James’s The Turn of the Screw” by Thomas M. Cranfill and Robert L. Clark Jr. Reproduced by permission of the publisher and Thomas Cranfill./ v. 20, Winter, 1978 for “The Unfixable Text: Bewilderment of Vision in The Turn of the Screw” by Kevin Murphy. Reproduced by permission of the publisher.—University of Mississippi Studies in English, v. 4, 1983. Copyright © 1983 The University of Mississippi. Reproduced by permission.—Virginia Quarterly Review, v. 34, Autumn, 1958. Copyright, 1958, by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission of the publisher.—Western Review, v. 15, Summer, 1951 for “The Metaphorical World of Truman Capote” by John W. Aldridge. Reproduced by permission of the author.—Wisconsin Studies in Contemporary Literature, v. 1, Spring, 1960. Copyright © 1960 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Women’s Studies, v. 21, 1992. © Gordon and Breach Science Publishers. Reproduced by permission.

COPYRIGHTED MATERIAL IN SSC, VOLUME 47, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Beidler, Peter G. From “‘My Bad Things’: James on James,” in Ghosts, Demons and Henry James The Turn of the Screw at the Turn of the Century. University of Missouri Press, 1989. Copyright © 1989 by University of Missouri Press. All

rights reserved. Reproduced by permission.—Bell, Millicent. From “The Turn of the Screw and the Recherche de L’Absolut,” in Henry James: Fiction as History. Edited by Ian F.A. Bell. Vision Press, 1984. Copyright © 1984 by Vision Press. All rights reserved. Reproduced by permission.—Donovan, Josephine. From “Mary E. Wilkins Freeman and the Tree of Knowledge,” in New England Local Color Literature: A Women’s Tradition. Frederick Ungar, 1983. Copyright © 1983 by Frederick Ungar. All rights reserved. Reproduced by permission.—Fisken, Beth Wayne. From “The ‘Faces of Children That Had Never Been’: Ghost Stories by Mary Wilkins Freeman,” in Haunting the House of Fiction: Feminist Perspectives on Ghost Stories by American Women. Edited by Lynette Carpenter and Wendy K. Kolmar. Copyright © 1991 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.—Garson, Helen S. From “Suprised by Joy: Stories of the Fifties and Sixties,” in Truman Capote. Frederick Ungar, 1980. Copyright © 1980 by Frederick Ungar. All rights reserved. Reproduced by permission.—Garson, Helen S. From “The Caravan Moves On: Last Stories,” in Truman Capote: A Study of Short Fiction. Twayne Publishers, 1992. Copyright © 1992 by Twayne Publishers. All rights reserved. Reproduced by permission.—Heller, Terry. From “Reading the Unreadable: Meaning in The Turn of the Screw,” in The Turn of the Screw: Bewildered Vision. Twayne Publishers, 1989. Copyright © 1989 by Twayne Publishers. All rights reserved. Reproduced by permission.—Long, Robert Emmet. From “The Further Range: Thurber’s Other Stories,” in James Thurber. Continuum Publishing, 1988. Copyright © 1988 by Continuum Publishing. All rights reserved. Reproduced by permission.—Malin, Irving. From “From Gothic to Camp,” in The Critical Response to Truman Capote. Edited by Joseph J. Waldmeir and John C. Waldmeir. Greenwood Press, 1999. Copyright © 1999 by Greenwood Press. All rights reserved. Reproduced by permission.—McWhirter, David. From “In the ‘Other House’ of Fiction: Writing, Authority, and Femininity in The Turn of the Screw,” in New Essays on Daisy Miller and The Turn of the Screw. Edited by Vivian R. Pollak. Cambridge University Press, 1993. Copyright © 1993 by Cambridge University Press. All rights reserved. Reproduced by permission of the publisher and author.—Meese, Elizabeth A. From “Signs of Undecidability: Reconsidering the Stories of Mary Wilkins Freeman,” in Crossing the Double-Cross: The Practice of Feminist Criticism. University of North Carolina Press, 1986. Copyright © 1986 by University of North Carolina Press. All rights reserved. Reproduced by permission.—Nance, William L. From “The Dark Stories,” in The Worlds of Truman Capote. Stein and Day, 1970. Copyright © 1970 by Stein and Day. All rights reserved. Reproduced by permission.—Pecora, Vincent P. From “Reflection Rendered: James’s The Turn of the Screw,” in Self & Form in Modern Narrative. The John Hopkins University Press, 1989. Copyright © 1989 by The John Hopkins University Press. All rights reserved. Reproduced by permission.—Reed, Kenneth T. From “The Ten Dollar Dream,” in Truman Capote. Twayne Publishers, 1981. Copyright © 1981 by Twayne Publishers. All rights reserved. Reproduced by permission.—Wilson, Edmund. From “The Ambiguity of Henry James,” in The Question of Henry James: A Collection of Critical Essays. Edited by F. W. Dupee. Henry Holt and Co., 1945. Copyright © 1945 by Henry Holt and Co. All rights reserved. Reproduced by permission of the author.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 47, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Capote, Truman, photograph. Hulton/Archive. Reproduced by permission.—Freeman, Mary E. Wilkins, photograph. Library of Congress.—James, Henry, photograph. Hulton/Archive. Reproduced by permission.—Thurber, James, photograph. © Bettmann/Corbis. Reproduced by permission.—Title page from “The Aspern Papers,” “The Turn of the Screw,” “The Liar,” “The Two Faces” written by Henry James. The University of Michigan Library. Reproduced by permission.

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The Scholars’ Centre Patricia Sarles, MA, MLS University of Western Australia Library Canarsie High School Library

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Steven R. Harris English Literature Librarian Mark Schumacher University of Tennessee Jackson Library University of North Carolina at Greensboro