The Secret Sharer, Joseph Conrad - Copyright Page

ISSN 0895-9439

Volume 71

Criticism of the Works of Short Fiction Writers

Joseph Palmisano Project Editor

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Joseph Palmisano

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ISSN 0895-9439

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SSC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN SSC, VOLUME 71, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Books Abroad, v. 40, summer, 1966. Copyright © 1966 by the University of Oklahoma Press. Reproduced by permission of the publisher.—Boundary 2, v. 24, summer, 1997. Copyright © 1997 by Duke University Press, Durham, NC. Reproduced by permission.—Conradian, v. 26, spring, 2001. Copyright © 2001 by Editions Rodopi BV. Reproduced by permission.— Conradiana, v. 27, 1995; v. 28, 1996; v. 30, spring, 1998. Copyright © 1995, 1996, 1998 by Texas Tech University Press. All reproduced by permission.—Focus on Robert Graves and His Contemporaries, v. 7, 1988; v. 2, spring, 1995. Both reproduced by permission.—Folklore, v. 113, 2002. Copyright © 2002 by The Folklore Society. Reproduced by permission.—Franklin Pierce Studies in Literature, 1982. Reproduced by permission.—The Hemingway Review, v. 20, fall, 2000. Copyright © 2000 by the Ernest Hemingway Foundation. Reproduced by permission.—Hispanofila, v. 97, September, 1989. Reproduced by permission.—Journal of Popular Culture, v. VIII, spring, 1980. Copyright © 1980 by Ray B. Browne. Reproduced by permission of Blackwell Publishers.—Journal of the Short Story in English, v. 14, spring, 1990. Copyright © Universite´ d’Angers, 1990. Reproduced by permission.—The Kipling Journal, v. 58, March, 1984. Reproduced by permission.—MLN, v. 88, March, 1973. Copyright © 1973 by John Hopkins University Press. Reproduced by permission.—Modern Fiction Studies, v. 44, fall, 1998. Copyright © 1998 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—Papers on Language and Literature, v. 5, spring, 1969. Copyright © 1969 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Revista de Estudios Hispanicos, v. xxvvi, October, 1992. Copyright © 1992 by Washington University. Reproduced by permission.—Romance Notes, v. 24, spring, 1973. Reproduced by permission.—Studies in Short Fiction, v. 29, spring, 1992; v. 23, autumn, 1995. Copyright © 1992, 1995 by Studies in Short Fiction. Both reproduced by permission.—Studies in the Novel, v. 33, fall, 2001. Copyright © 2001 by North Texas State University. Reproduced by permission.

COPYRIGHTED MATERIAL IN SSC, VOLUME 71, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Aird, Catherine. From “It Was the Cat!,” in Dorothy L. Sayers: The Centenary Celebration. Edited by Alzina Stone Dale. Walker and Company, 1993. Copyright © 1993 by Alzina Stone Dale. Reproduced by permission of the author.—Billy, Ted. From A Wilderness of Words: Closure and Disclosure in Conrad’s Short Fiction. Texas Tech University Press, 1997. Copyright © 1997 by Texas Tech University Press. Reproduced by permission.—Durkin, Mary Brian, O.P. From Dorothy

L. Sayers. Twayne Publishers, 1980. Copyright © 1980 by G. K. Hall & Co. Reproduced by permission of the Gale Group.—Erdinast-Vulcan, Daphna. From The Strange Short Fiction of Joseph Conrad: Writing, Culture, and Subjectivity. Oxford University Press, 1999. Copyright © Daphna Erdinast-Vulcan 1999. All rights reserved. Reproduced by permission of Oxford University Press.—French, Warren. From “The Secret Sharer’: Film Confronts Story in Face to Face,” in Conrad on Film. Edited by Gene M. Moore. Cambridge University Press, 1997. Copyright © Cambridge University Press 1997. Reprinted with the permission of Cambridge University Press.—Gaillard, Dawson. From Dorothy L. Sayers. Frederick Ungar Publishing Co., Inc., 1981. Copyright © 1981 by Frederick Ungar Publishing Co., Inc. Reproduced by permission.—Higonnet, Margaret R. From an introduction in Nurses at the Front: Writing the Wounds of the Great War. Edited by Margaret R. Higonnet. Northeastern University Press, 2001. Copyright © 2001 by Margaret R. Higonnet. Reproduced by permission.—Higonnet, Margaret R. From “Not So Quiet in No-Woman’s Land,” in Gendering War Talk. Edited by Miriam Cooke and Angela Woollacott. Princeton University Press, 1993. Copyright © 1993 by Princeton University Press. Reproduced by permission.—Knapp, Bettina L. From Georges Duhamel. Twayne Publishers, 1972. Copyright © 1972 by Twayne Publishers, Inc. Reproduced by permission of the Gale Group.—McGregor, Robert Kuhn and Ethan Lewis. From

Conundrums for the Long Week-End. The Kent State University Press, 2000. Copyright © 2000 by Kent State University Press. All rights reserved. Reproduced by permission.—McPheeters, D. W. From Camilo José Cela. Twayne Publishers, 1969. Copyright © 1969 by Twayne Publishers, Inc. Reproduced by permission of the Gale Group.—Natter, Wolfgang G. From Literature at War, 1914-1940: Representing the “Time of Greatness” in Germany. Yale University Press, 1999. Copyright © 1999 by Yale University. Reproduced by permission.—Phillips, Gene D. From Conrad and Cinema: The Art of Adaptation, Peter Lang, 1995. Copyright © Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Platt, Michael. From “Natural Right, Conventional Right, and Setting Things Aright: Joseph Conrad’s ‘The Secret Sharer’,” in The Moral of the Story: Literature and Public Ethics. Edited by Henry T. Edmondson III. Lexington Books, 2000. Copyright © 2000 by Lexington Books. Reproduced by permission.—Potter, Jane. From “‘A Great Purifier’: The Great War in Women’s Romances and Memoirs, 1914-1981,” in Women’s Fiction and the Great War. Edited by Suzanne Raitt and Trudi Tate. Clarendon Press, 1997. Copyright © Jane Potter 1997. Reproduced by permission.—Pynsent, Robert. From “The Last Days of Austria: Hasek and Kraus,” in The First World War in Fiction: A Collection of Critical Essays. Edited by Hoger Klein. Barnes & Noble Books, 1976. Copyright © The Macmillan Press Ltd 1976 by. Reproduced by permission.—Quinn, Patrick J. From The Conning of America: The Great War and American Popular Literature. Copyright © Editions Rodopi B.V. Reproduced by permission.—Schaffer, Carl. From “Conrad’s Leggatt and the Jewish Golem: Where Parallel Lines Meet,” in Joseph Conrad: East European, Polish and Worldwide. Edited by Wieslaw Krajka. Columbia University Press, 1999. Copyright © 1999 by Maria Curie-Sklodowska University, Lublin. Republished with permission of the Columbia University Press, 61 W. 62nd St., New York, NY 10023.—Schwarz, Daniel R. From “Rereading ‘The Secret Sharer,’” in Joseph Conrad’s “The Secret Sharer.” Edited by Daniel R. Schwartz. Bedford Books, 1997. Reproduced by permission of Bedford/St.Martin’s.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 71, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Cela, Camilo José, photograph by Isabel Steva Hernandez (Colita). Copyright © Colita/Corbis-Bettmann. Reproduced by permission.—Conrad, Joseph, photograph. The Library of Congress.—Sayers, Dorothy L., photograph. AP/Wide World Photos. Reproduced by permission.

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