Criticism > Short Story Criticism > Nos, Nikolai Gogol - Reed Merrill (essay date 1990)
Nos, Nikolai Gogol - Reed Merrill (essay date 1990)
Reed Merrill (essay date 1990)
SOURCE: Merrill, Reed. “The Grotesque in Music: Shostakovich's Nose.” Russian Literature Triquarterly, no. 23, (winter 1990): 303–14.
[In the following essay, Merrill discusses elements of the comic-grotesque in both Gogol's original short story “The Nose” and the 1930 operatic adaptation, The Nose.]
The difference between the comic side of things, and their cosmic side, depends upon one sibilant.
If parallel lines do not meet it is not because they cannot, but because they have other things to do.
—Vladimir Nabokov, Nikolai Gogol
Dmitri Shostakovich's opera The Nose (Nos) was begun in 1928, when he was twenty, and it was first performed on January 18, 1930, in Leningrad's Little Theater. Based upon Nikolai Gogol's comic masterpiece, it also is a mocking satire concerning the loss of a man's nose...
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Criticism
- A. L. Bem (essay date 1928)
- Herbert E. Bowman (essay date 1953)
- Peter C. Spycher (essay date 1963)
- Ivan Yermakov (essay date 1974)
- Thaïs S. Lindstrom (essay date 1974)
- Simon Karlinsky (essay date 1976)
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- Donald Fanger (essay date 1979)
- Richard Peace (essay date 1981)
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- William Edward Brown (essay date 1986)
- Ann Shukman (essay date 1989)
- Reed Merrill (essay date 1990)
- Sergei Bocharov (essay date 1992)
- Thomas Seifrid (essay date 1993)
- Amos Oz (essay date 1996)
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