The Lifted Veil, George Eliot - Copyright Page

ISSN 0895-9439

Volume 68

Criticism of the Works of Short Fiction Writers

Joseph Palmisano Project Editor

Project Editor

Joseph Palmisano

Editorial

Jenny Cromie, Kathy D. Darrow, Julie Keppen, Michael L. LaBlanc

Research

Michelle Campbell, Tracie A. Richardson

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Short Story Criticism, Vol. 68

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 88-641014

ISBN 0-7876-7025-1
ISSN 0895-9439

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Preface

S
hort Story Criticism (SSC) presents significant criticism of the world’s greatest short story writers and provides supplementary biographical and bibliographical materials to guide the interested reader to a greater understanding of the authors of short fiction. This series was developed in response to suggestions from librarians serving high school, college, and public library patrons, who had noted a considerable number of requests for critical material on short story writers. Although major short story writers are covered in such Gale series as Contemporary Literary Criticism (CLC), Twentieth-Century Literary Criticism (TCLC), Nineteenth-Century Literature Criticism (NCLC), and Literature Criticism from 1400 to 1800 (LC), librarians perceived the need for a series devoted solely to writers of the short story genre.

Scope of the Series

SSC is designed to serve as an introduction to major short story writers of all eras and nationalities. Since these authors have inspired a great deal of relevant critical material, SSC is necessarily selective, and the editors have chosen the most important published criticism to aid readers and students in their research.

Approximately eight to ten authors are included in each volume, and each entry presents a historical survey of the critical response to that author’s work. The length of an entry is intended to reflect the amount of critical attention the author has received from critics writing in English and from foreign critics in translation. Every attempt has been made to identify and include the most significant essays on each author’s work. In order to provide these important critical pieces, the editors sometimes reprint essays that have appeared elsewhere in Gale’s Literary Criticism Series. Such duplication, however, never exceeds twenty percent of an SSC volume.

Organization of the Book

An SSC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parentheses on the first line of the biographical and critical introduction. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by the title of the work and its date of publication.
  • © The Introduction contains background information that introduces the reader to the author and the critical debates surrounding his or her work.
  • © A Portrait of the Author is included when available.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The first section comprises short story collections, novellas, and novella collections. The second section gives information on other major works by the author. For foreign authors, the editors have provided original foreign-language publication information and have selected what are considered the best and most complete English-language editions of their works.
  • © Reprinted Criticism is arranged chronologically in each entry to provide a useful perspective on changes in critical evaluation over time. All short story, novella, and collection titles by the author featured in the entry are printed in boldface type. The critic’s name and the date of composition or publication of the critical work are given at the

    • vii

    Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—The Review of Contemporary Fiction, v. 3, 1983; v. 13, summer, 1993; v. 19, fall, 1999; v. 23, fall, 2003. Copyright © 1983, 1993, 1999, 2003 by Review of Contemporary Fiction, Inc. All reproduced by permission.—Review of English Studies, v. 49, February, 1998. Reproduced by permission of Oxford University Press.—Salon.com, May 28, 1999. Reproduced by permission of Salon, http://www.salonmagazine.com.—San Francisco Chronicle, May 16, 1999 for “Fast-Forward Fiction” by Daniel Orozco. Copyright © 1999 by Daniel Orozco. Reproduced by permission of the author.—San Jose Studies, v. 16, spring, 1990 for “Pig and Proletariat: Animal Farm as History” by Bernard Grofman. Copyright © 1990 San Jose State University Foundation. All rights reserved. Reproduced by permission.—Saturday Review, August 17, 1968. Copyright © 1968 by Saturday Review, Inc. All rights reserved. Reproduced by permission.—The Southern Literary Journal, v. XXV, spring, 1993. Copyright © 1993 by the Department of English of the University of North Carolina at Chapel Hill. Reproduced by permission.—Southern Studies, v. 5, fall-winter, 1994; v. 8, winter-spring, 1997. Both reproduced by permission.—Studies in American Fiction, v. 23, spring, 1995; v. 28, autumn, 2000; v. 30, spring, 2002. Copyright © 1995, 2000, 2002 by Northeastern University. All reproduced by permission.—Times Literary Supplement, August 25, 1945, London Times; August 6, 1954, London Times. Copyright 1945, 1954 by The Times Supplements Limited. Both reproduced from The Times Literary Supplement by permission./ November 24, 1989; December 26, 1997; March 21, 1997; January 14, 2000. Copyright © 1989, 1997, 2000 by Times Literary Supplement. All reproduced by permission.—The Washington Times, July 18, 1999. Copyright © 1999 by News World Communications, Inc. Reproduced by permission.

    COPYRIGHTED MATERIAL IN SSC, VOLUME 68, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Ahern, Maureen. From “Reading Rosario Castellanos: Contexts, Voices, and Signs,” in A Rosario Castellanos Reader: An Anthology of Her Poetry, Short Fiction, Essays, and Drama. Edited and translated by Maureen Ahern and others. University of Texas Press, 1988. Copyright © 1988 by Maureen Ahern. Reproduced by permission of Maureen Ahern and the University of Texas Press.—Berkove, Lawrence I. From “‘Acting Like Fools’: The Ill-Fated Romances of ‘At the Cadian Ball’ and ‘The Storm’’’ in Critical Essays on Kate Chopin. Edited by Alice Hall Petry. G. K. Hall & Co. 1996. Copyright © 1996 by G.K. Hall & Co. Reprinted by permission of the Gale Group.—Blythe, Anne M. From “Kate Chopin’s ‘Charlie,’” in Kate Chopin Reconsidered: Beyond the Bayou. Edited by Lynda S. Boren and Sara deSaussure Davis. Louisiana State University Press, 1992. Copyright © 1992 by Louisiana State University. Reproduced by permission.—Brown, Spencer. From “Mealymouthed Critics Ignore Animal Farm’s Anticommunist Flavor,” in Readings on Animal Farm. Edited by Terry O’Neill. Greenhaven Press, Inc., 1998. Copyright © 1955 by Commentary. Renewed © 1983, by American Jewish Committee. All rights reserved. Reproduced by permission.—Carmean, Karen. From Ernest J. Gaines: A Critical Companion. Greenwood Press, 1998. Copyright © 1998 by Karen Carmean. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Ellis, Nancy S. From Insistent Refrains and Self-Discovery: Accompanied Awakenings in Three Stories by Kate Chopin. Louisiana State University, 1992. Copyright © 1992 by Louisiana State University. Reproduced by permission.—Gaines, Ernest J., with Calvin Skaggs. From “Interview with Ernest J. Gaines,” in The American Short Story: Volume 2. Edited by Calvin Skaggs. Dell Publishing, 1980. Copyright © 1980 by Learning in Focus, Inc. Reproduced by permission of Learning in Focus/Robert Geller.—Geldrich-Leffman, Hanna. From The Dialogue of Marriage in Contemporary German and Latin American Short Stories. Peter Lang, 1999. © 1999 by Peter Lang Publishing, Inc. Reproduced by permission.—Hollis, Christopher. From “Animal Farm Is a Successful Animal Fable,” in Readings on Animal Farm. Edited by Terry O’Neill. Greenhaven Press, Inc., 1998. Copyright © 1956 by London: Hollis & Carter. Reproduced by permission.—Imhof, Rüdiger. From Anglia: Zeitschrift für Englische Philologie. Max Niemeyer Verlag, 1996. Copyright © 1996 by Rüdiger Imhof. Reproduced by permission of the author.—Patai, Daphne. From “Animal Farm Exposes Orwell’s Sexism,” in Readings on Animal Farm. Edited by Terry O’ Neill. Copyright © 1984 by Daphne Patai. Reproduced by permission.—Puschmann-Nalenz, Barbara. From “Ernest J. Gaines: ‘A Long Day in November’” (1963), in The Black American Short Story in the 20th Century: A Collection of Critical Essays. Edited by Peter Bruck. B. R. Gruner Publishing, 1977. Copyright 1977 by B. R. Gruner Publishing Co. Reproduced by permission.—Schaefer, Claudia. From an Introduction to City of Kings, by Rosario Castellanos. Translated by Robert S. Rudder and Gloria Chacon de Arjona. Latin American Literary Review Press, 1992. Translation © 1993 Latin American Literary Review Press. Reproduced by permission.—Thomas, Heather Kirk. From “‘The House of Sylvie’ in Kate Chopin’s ‘Athénaïse,’” in Critical Essays on Kate Chopin. Edited by Alice Hall Petry. G. K. Hall & Co. 1996. Copyright © 1996 by

    G.K. Hall & Co. Reproduced by permission of the Gale Group.

    PHOTOGRAPHS APPEARING IN SSC, VOLUME 68, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Chopin, Kate, photograph. The Library of Congress.—Gaines, Ernest, photograph. AP/Wide World Photos. Reproduced with permission.—Higgins, Aidan, photograph. Reproduced by permission.—Orwell, George, photograph. AP/Wide World Photos. Reproduced by permission.—Wallace, David Foster, photograph. Courtesy of Little, Brown and Company.

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    The members of the Gale Group Literature Product Advisory Board—reference librarians from public and academic library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/enhancements to our series. We wish to thank the following advi

    sors for their advice throughout the year.

    Barbara M. Bibel

    Librarian Oakland Public Library Oakland, California

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