A Jury of Her Peers, Susan Glaspell - Copyright Page

ISSN 0895-9439

Volume 41

Criticism of the Works of Short Fiction Writers

Jenny Cromie Editor

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SSC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN SSC, VOLUME 41, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The British Journal of Aesthetics, v. 30, July, 1990, for “Literature, Philosophy, Nonsense” by B. R. Tilghman. Copyright © 1990 by The British Journal of Aesthetics. Reproduced by permission of the publisher and the author.—Bulletin of Hispanic Studies, v. LXXV, April, 1998. Copyright © 1998 Liverpool University Press. Reproduced by permission.—Chasqui,

  • v. XXV, May, 1996. Reproduced by permission.—CLA Journal, v. XLII, September, 1998. Copyright, 1998 by The College Language Association. Used by permission of The College Language Association.—Commonweal, December, 1998. Copyright © 1998 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.—Comparative Literature Studies, v. 24, 1987. Copyright 1987 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.—Economist, v. 350, January, 1999. Copyright © 1999 The Economist Newspaper Group, Inc. Reproduced with permission. Further reproduction prohibited. http://www.economist.com—The Explicator,
  • v. 52, Spring, 1994. Copyright © 1994 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Extrapolation, v. 37, Winter, 1996. Copyright © 1996 by The Kent State University Press. Reproduced by permission.—Hispanofila, v. 125, January, 1999. Reproduced by permission.—The Modern Language Review, v. 83, January, 1988. Reproduced by permission.—Narrative, v. 7, October, 1999. Copyright © 1999 by Ohio State University Press. All rights reserved. Reproduced by permission.—New Literary History, v. 24, Spring, 1993. Copyright © 1993 by The Johns Hopkins University Press. Reproduced by permission.—The New York Review of Books, October 22, 1998. Copyright © 1988 Nyrev, Inc. Reproduced with permission from The New York Review of Books.—The New York Times, November 22, 1982. Copyright © 1982 by The New York Times Company. Reproduced by permission./ November 14, 1982 for “Old Young Waugh” by Frances Donaldson. Copyright © 1982 by The New York Times Company. Reproduced by permission of PFD on behalf of the Estate of Lady Frances Donaldson.—New York Times Book Review, v. 1, February 20, 1949. Copyright © 1949 by The New York Times Company. Reproduced by permission.—Notes On Contemporary Literature, v. XXIX, September, 1999. Copyright © by William S. Doxey. Reproduced by permission.—Philosophy and Literature, v. 17, October, 1993. Copyright © 1993 by The Johns Hopkins University Press. Reproduced by permission.—Poetics Today, v. 13, Fall, 1992. Copyright © 1992 by Porter Institute for Poetics and Semiotics. Reproduced by permission of Duke University Press.—Representations, no. 56, Fall, 1996, for “The Library of Forking Paths” by Robert L. Chibka. Copyright © 1996 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—Romance Notes, v. XXXIII, Spring, 1993. Reproduced by permission.—Romanic Review, v. 86, January, 1995. Reproduced by permission.—Russian Literature, v. XXXV, February, 1994. Reproduced by permission.—Studies in Short Ficition, v. 15, Winter, 1978; v. 21, Winter, 1984; v. 26, Fall, 1989; v. 33, Summer, 1996. Copyright © 1978, 1984, 1989, 1996 by Newberry College. All reproduced by permission.—Studies in Twentieth Century Literature, v. 22, Summer, 1998. Copyright © 1998 by Studies in Twentieth Century Literature. Reproduced by permission.—Symposium, v. 53, Fall, 1999. Copyright © 1999 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.— The Times Literary Supplement, June, 1988; No. 4572, Month 11, 1990; January, 1999. Copyright © 1988, 1990, 1999 by The Times Literary Supplement. All reproduced by permission.—Twentieth Century Literature, v. 31, Winter, 1985. Copyright 1985, Hofstra University Press. Reproduced by permission.—World Literature Today, v. 64, Summer, 1990. Copyright 1990 by the University of Oklahoma Press. Reprinted by permission of the publisher.
    • COPYRIGHTED EXCERPTS IN SSC, VOLUME 41, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

    Aarons, Victoria. From Portraits of Marriage in Literature. Western Illinois University, 1984. Copyright © 1984 by Western Illinois University. Reproduced by permission.—Alazaraki, Jaime. From “Structure as Meaning in ‘The South’,” in

    Borges and the Kabbalah. Cambridge University Press, 1988. © Cambridge University Press 1988. Reproduced with the permission of Cambridge University Press and the author.—Balderston, Daniel. From Out of Context: Historical Reference and Representation of Reality in Borges. Duke University Press, 1993. Copyright © 1993 Duke University Press, Durham, NC. Reproduced by permission.—Beaty, Frederick L. From The Ironic World of Evelyn Waugh: A Study of Eight Novels. Northern Illinois University Press, 1992. © 1992 by Northern Illinois University Press. Reproduced by permission.—Carens, James F. From The Satiric Art of Evelyn Waugh. University of Washington Press, 1966. Copyright © 1966 by the University of Washington Press. Reproduced by permission.—Crabbe, Katharyn W. From Evelyn Waugh. Continuum, 1988. Copyright © 1988 by Katharyn W. Crabbe. All rights reserved. Reproduced by permission.—Davis, Robert Murray. From Evelyn Waugh, Writer. Pilgrim Books, Inc., 1981. Copyright © 1981 By Robert Murray Davis. Reproduced by permission.—Davis, Robert Murray. From “The Failure of Imagination: Waugh’s School Stories” in Evelyn Waugh and the Forms of His Time. Edited by Virgil Nemoianu. The Catholic University Press, 1989. Copyright © 1989. Reproduced by permission.—Durkin, Andrew R. From Reading Chekhov’s Text. Northwestern University Press, 1993. Copyright © 1993 by Northwestern University Press. All rights reserved. Reproduced by permission.—Fetterley, Judith. From Gender and Reading: Essays on Readers, Texts, and Contexts. Edited by Elizabeth A. Flynn and Patrocinio P. Schweickart. The John Hopkins University Press, 1986. Copyright © 1986. Reproduced by permission of The Johns Hopkins University Press.—Garrett, Robert R. From From Grimes to Bridgeshead: The Early Novels of Evelyn Waugh. Bucknell University Press, 1990. © 1990 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.— Hahn, Beverly. From “The Duel,” in Chekhov: A Study of the Major Stories and Plays. Cambridge University Press, 1977. © Cambridge University Press 1977. Reproduced with the permission of Cambridge University Press and the author.—Hallgren, Sherri. From Violence, Silence, and Anger: Women’s Writings as Transgression. Edited by Deirdre Lashgari. University Press of Virginia, 1995. Copyright © 1995 by the Rector and Visitors of the University of Virginia. Reproduced by permission.—Hedges, Elaine. From Susan Glaspell: Essays on Her Theater and Fiction. Edited by Linda Ben-Zvi. The University of Michigan Press, 1995. Copyright © by the University of Michigan 1995. All rights reserved. Reproduced by permission.—Hollis, Christopher. From the introduction to Decline and Fall by Evelyn Waugh. Heinemann Educational Books LTD, 1966. Introduction © Christopher Hollis 1966.—Kirk, Irina. From Anton Chekhov. Twayne Publishers, 1981. Copyright © 1981 by G.K. Hall & Co. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Lloyd, Christopher. From “Mythes and Ironies of the Occupation: Marcel Ayme’s ‘Traversee de Paris,’” in Myth and Its Legacy in European Literature. Edited by Neil Thomas and Francoise Le Saux. University of Durham, 1996. Copyright © Neil Thomas. Reproduced by permission.—Lord, Graham. From The Short Stories of Marcel Ayme. University of Western Australia Press, 1980. Copyright © 1980 by University of Western Australia Press.—Lyons, Phyllis I. From The Saga of Dazai Osamu: A Critical Study with Translations. Stanford University Press, 1985. © 1985 by the Board of Trustees of the Leland Stanford Junior University. Reprinted with the permission of the publishers, Stanford University Press.—Merrell, Floyd. From Unthinking Thinking. Purdue University Press, 1991. Copyright © 1991 by Purdue Research Foundation, West Lafayette, Indiana 47907. All rights reserved. Reproduced by permission.— O’Brien, James A. From “The War Years (1941-1945)” in Japan. Edited by Roy E. Teele. Twayne Publishers, 1975. Copyright © 1975 by G.K. Hall & Co. All rights reserved. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Pritchett, V.S. From Chekhov: A Spirit Set Free. Hodder & Stoughton, 1988. Copyright © V.S.Pritchett 1988. Reproduced by permission of Hodder and Stoughton Limited.—Stabb, Martin S. From “The Cannonical Texts,” in Borges Revisted. Edited by David W. Foster. Twayne Publishers, 1991. Copyright © 1991 by G.K. Hall & Co. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Stannard, Martin. From Evelyn Waugh: The Early Years 1903-1939. W.W. Norton & Company, 1986. Copyright © 1986 by Martin Stannard. Reproduced by permission.—Stopp, Frederick J. From Evelyn Waugh: Portrait of an Artist. Chapman & Hall LTD, 1958, renewed 1986 by Frederick J. Stopp.—Sykes, Christopher. From Evelyn Waugh: A Biography. Little, Brown and Company, 1975. Copyright © 1975 by Christopher Sykes. All rights reserved. Reproduced by permission of the author.— Tulloch, John. From Chekhov: A Structuralist Study. Macmillan Press Ltd., 1980. Copyright © John Tulloch 1980. All rights reserved. Reproduced by permission of Macmillan, London and Basingstoke.—Ueda, Makoto. From Modern Japanese Writers and the Nature of Literature. Stanford University Press, 1976. © 1976 by the Board of Trustees of the Leland Stanford Junior University. Reprinted with the permission of the publishers, Stanford University Press.—Wolfe, Alan. From Suicidal Narrative in Modern Japan: The Case of Dazai Osamu. Princeton University Press, 1990. Copyright © 1990 by Princeton University Press. Reproduced by permission.

    PHOTOGRAPHS APPEARING IN SSC, VOLUME 41, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Aymé, Marcel, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Borges, Jorge Luis, photograph. Courtesy of The Library of Congress.—Chekhov, Anton, photograph. Courtesy of The Library of Congress.—Dazai, Osamu, photograph. Reproduced by permission of New Directions Publishing Co.—Glaspell, Susan, photograph. AP/Wide World Photos. Reproduced by permission.—Waugh, Evelyn, photograph. Courtesy of The Library of Congress.