Criticism > Short Story Criticism > Huxley, Aldous - Copyright Page

STAFF

Lynn M. Spampinato, Janet Witalec, Managing Editors, Literature Product

Kathy D. Darrow, Product Liaison
Jenny Cromie, Editor
Mark W. Scott, Publisher, Literature Product

Linda Pavlovski, Associate Editor
Vince Cousino, Assistant Editor
Patti A. Tippett, Timothy J. White, Technical Training Specialists
Deborah J. Morad, Kathleen Lopez Nolan, Managing Editors
Susan M. Trosky, Director, Literature Content

Maria L. Franklin, Permissions Manager
Erin Bealmear, Permissions Associate

Victoria B. Cariappa, Research Manager
Tracie A. Richardson, Project Coordinator
Tamara C. Nott, Research Associate
Scott Floyd, Timothy Lehnerer, Ron Morelli, Research Assistants

Dorothy Maki, Manufacturing Manager
Stacy L. Melson, Buyer

Mary Beth Trimper, Manager, Composition and Electronic Prepress
Gary Leach, Composition Specialist

Michael Logusz, Graphic Artist
Randy Bassett, Image Database Supervisor
Robert Duncan, Dan Newell, Imaging Specialists
Pamela A. Reed, Imaging Coordinator
Kelly A. Quin, Editor, Image Content

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.

All rights to this publication will be vigorously defended.

Copyright © 2000 Gale Group, Inc.
27500 Drake Road
Farmington Hills, MI 48331-3535

All rights reserved, including the right of reproduction in whole or in part in any form.

Gale Group and Design is a trademark used herein under license.

Library of Congress Catalog Card Number 88-641014
ISBN 0-7876-3275-9
ISSN 0895-9439
Printed in the United States of America

10987654321

sion.—Semiotica, v. 113, 1997. © 1997 by Walter de Gruyter & Co., D-10785 Berlin. Reproduced by permission.— Southerly, v. 24, 1964 for “The Short Stories of Patrick White” by J. F. Burrows. © 1964 by J. F. Burrows. Reproduced by permission of the publisher and the author./v. 24, 1964 for “Writer and Reader” by H. P. Heseltine. © 1964 by H. P. Heseltine. Reproduced by permission of the publisher and the author./ v. 35, 1975 for “Patrick White’s ‘The Cockatoos,’” by Anthony J. Hassall. © 1975 by Anthony J. Hassall. Reproduced by permission of the publisher and the author.—Studies in Canadian Literature, v. 3, Summer, 1978. Copyright © 1978 Ina Ferris. Reproduced by permission of the editors./ v. 4, Winter, 1979. Copyright © 1979 by T. D. MacLulich. Reproduced by permission of the editors.—Studies in Short Fiction,

v. IV, Winter, 1967; v. VII, Spring, 1970; v. 17, Winter, 1980; v. 24, Spring, 1987; v. 25, Winter, 1988; v. 29, Summer, 1992. Copyright 1967, 1970, 1978, 1980, 1984, 1987, 1988, 1992 by Newberry College. All reproduced by permission.— The Times Literary Supplement, October 22, 1964; December 2-8, 1988; January 20, 1989. © The Times Supplements Limited 1964, 1988, 1989. All reproduced from The Times Literary Supplement by permission.—Westerly, v. 40, Autumn, 1995 for “Patrick White’s ‘Five-Twenty’” by Lee Spinks. Reproduced by permission of the author.—World Literature Today, v. 61, Autumn, 1987. Copyright © 1987 by the University of Oklahoma Press. Reproduced by permission.—World Literature Written in English, v. 14, 1975. © Copyright 1975 WLWE-World Literature Written in English. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN SSC, VOLUME 39, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Anderson, Helene M. From “Rosario Castellanos and the Structures of Power” in Contemporary Women Authors of Latin America. Edited by Doris Meyer and Magarite Fernandez Olmos. Brooklyn College Press, 1983. ©1983 by Brooklyn College, The City University of New York. All rights reserved. Reproduced by permission of the editors and the author.— Argyle, Barry. From Patrick White. Oliver and Boyd LTD, 1975. © Text and Bibliography 1967 Barry Argyle. Reproduced by permission of the author.—Bjorksten, Ingmar. From Patrick White: A General Introduction. Translated by Stanley Gerson. University of Queensland Press, 1976. English edition © University of Queensland Press, St. Lucia, Queensland, 1976. Reproduced by permission.—Bliss, Carolyn. From “Crusades Against Hoopla and Pain ” in Critical Essays on Patrick White. Edited by Peter Wolfe. G.K. Hall & Co., 1990. Copyright 1990 by Peter Wolfe. All rights reserved. Reproduced with the permission of The Gale Group.—Foster, David William. From Studies in the Contemporary Spanish-American Short Story. University of Missouri Press, 1979. Copyright © 1979 by The Curators of the University of Missouri. Reproduced by permission.—Friedman, Lenemaja. From Shirley Jackson. Twayne Publishers, 1975. Copyright © 1975 by

G. K. Hall & Co. All rights reserved. Reproduced with the permission of The Gale Group.—Furnival, Chloe. From “Confronting myths of oppression: The short stories of Rosario Castellanos ‘Chloe Furnival’” in Knives and Angels: Women Writers in Latin America. Edited by Susan Bassnett. Zed Books Ltd., 1990. Copyright © Individual contributors, 1990. Editorial copyright © Susan Bassnett. Reproduced by permission.—Hall, Joan Wylie. From Shirley Jackson: A Study of the Short Fiction. Twayne Publishers, 1993. Copyright 1993 by Twayne Publishers. All rights reserved. Reproduced with the permission of The Gale Group.—Hart, Stephen M. From White Ink: Essays on Twentieth-Century Feminine Fiction in Spain and Latin America. Tamesis Books Limited, 1993. © Copyright by Tamesis Books Limited, London, 1993. All rights reserved. Reproduced by permission.—Holmes, Charles M. From Aldous Huxley and the Way to Reality: From the Early Verse to ‘Crome Yellow.’ Indiana University Press, 1970. Copyright © 1970 by Indiana University Press. Reproduced by permission.—Jackson, Shirley. From “Biography of a Story” in Come Along with Me: Part of a Novel, Sixteen Stories, and Three Lectures. Edited by Stanley Edgar Hyman. The Viking Press, 1960. Copyright 1948, 1952, © 1960 by Shirley Jackson. Copyright 1944, 1950, © 1962, 1965, 1968 by Stanley Edgar Hyman. All rights reserved. Reproduced by permission of The Viking Press, a division of Penguin Putnam Inc. In the UK by The Linda Allen Literary Agency.—Kempton, Kenneth Payson. From Short Stories for Study. Harvard University Press, 1953. Copyright 1953 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission Harvard University Press.—Kiernan, Brian. From Patrick White. © B. Kiernan 1980. The Macmillan Press, 1980. Reproduced by permission of Macmillan, London and Basingstoke.—Kiernan, Brian. From Patrick White. © B. Kiernan 1980. The Macmillan Press, 1980. Reproduced by permission of Macmillan, London and Basingstoke.—Myers, David. From the Peacocks and the Bourgeoisie. Adelaide University Union Press, 1978. Copyright © 1978 by David A. Myers. All rights reserved. Reproduced by permission.—Myers, David. From the Peacocks and the Bourgeoisie. Adelaide University Union Press, 1978. Copyright © 1978 by David A. Myers. All rights reserved. Reproduced by permission.—Peavler, Terry J. From “Cabrera Infante’s Undertow” in Structures of Power. Edited by Terry J. Peavler and Peter Standish. State University of New York Press, 1996. © 1996 State University of New York. All rights reserved. Reproduced by permission of the State University of New York Press.—Schubert, Maria. From “The Use of Irony in Aldous Huxley’s Short Fiction” in On Poets and Poetry. Edited by Dr. James Hogg. Institut für Anglistik und Amerikanistik, 1984. Reproduced by permission.—Schwartz, Ronald. From Nomads, Exiles, & Emigres: The Rebirth of the Latin American Narrative. The Scarecrow Press, Inc., 1980. Reproduced by permission.—Shepherd, Ron. From “Narrative Techniques in the Shorter Prose Fiction” in Patrick White:

A Critical Symposium. Edited by R. Shepherd & K. Singh. The Centre for Research in the New Literatures in English, 1978. Copyright © The Centre for Research in the New Literatures in English (CRNLE). Reproduced by permission.— Souza, Raymond D. From Guillermo Cabrera Infante: Two Islands, Many Worlds. University of Texas Press, 1996. Copyright © 1996 by the University of Texas Press. All rights reserved.—Walsh, William. From Patrick White’s Fiction. Rowman and Littlefield, 1977. © George Allen & Unwin Australia Pty Ltd 1977. Reproduced by permission of HarperCollins Publishers Ltd.—Weigel, John A. From Patrick White. Twayne Publishers, 1983. Copyright © 1983 by G.K. Hall & Company. All rights reserved. Reproduced with the permission of The Gale Group.—Wilson, R. B. J. From “The Rhetoric of Patrick White’s ‘Down at the Dump’” in Bards, Bohemians, and Bookmen. Edited by Leon Cantrell. University of Queensland Press, 1976. © University of Queensland Press, St. Lucia, Queensland, 1976. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 39, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Cabera Infante, Guillermo, photograph. AP/Wide World Photos. Reproduced by permission. —Huxley, Aldous, photograph. AP/Wide World Photos. Reproduced by permission.—Jackson, Shirley, photograph. AP/Wide World Photos. Reproduced by permission.—Leacock, Stephen, photograph. AP/Wide World Photos. Reproduced by permission.—White, Patrick, photograph. AP/Wide World Photos. Reproduced by permission.