Huxley, Aldous | Arthur F. Beringause (essay date 1964)
Arthur F. Beringause (essay date 1964)
SOURCE: “Debate Between Body and Soul,” in The CEA Critic, Vol. XXVI, No. 9, June, 1964, pp. 1, 4.
[In the following essay, Beringause contends that an analysis of “The Gioconda Smile” reveals that Huxley is more than a “negative propagandist who satirizes negative nostrums.”]
Study of Aldous Huxley's well-known and consistently misinterpreted short story “The Gioconda Smile” reveals that his application of Freudian theory to art early made him into a much better craftsman than his critics have been willing to admit. This is not to imply that he accepted psychoanalysis and rejected religion.
Using sordid details of a vulgar love affair as a means for spiritual revelation, Huxley in “The Gioconda Smile” strategically blends wit, irony and pathos to achieve a deep intensity. Eager like every serious writer to chart his world for the reader, Huxley exercises cunning control of...
[The entire page is 2008 words long]
