Hurston, Zora Neale | Further Reading
FURTHER READING
CRITICISM
Carr, Brian, and Tova Cooper. “Zora Neale Hurston and Modernism at the Critical Limit.” Modern Fiction Studies 48, no. 2 (summer 2002): 285-313.
Chronicles Hurston's participation in the Harlem Renaissance, discusses Mules and Men as a work of modernism, and examines interpretations of the book as a work of postmodern fiction and ethnography.
Dolby-Stahl, Sandra. “Literary Objectives: Hurston's Use of Personal Narrative in Mules and Men.” Western Folklore 51, no. 1 (January 1992): 51-63.
Perceives Mules and Men to be one of the finest examples of self-reflexive, literary ethnography ever written.
Estes, David C. “The Neo-African Vatican: Zora Neale Hurston's New Orleans.” In Literary New Orleans in the Modern World, edited by Richard S. Kennedy, pp. 66-82. Baton Rouge, La.: Louisiana State University Press, 1998.
Asserts that...
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