Gordimer, Nadine (Vol. 80) - Copyright Page

ISSN 0895-9439

Volume 85

Criticism of the Works of Short Fiction Writers

Thomas J. Schoenberg Lawrence J. Trudeau Project Editors

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Thomas J. Schoenberg and Lawrence J. Trudeau

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Short Story Criticism, Vol. 85

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SSC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN SSC, VOLUME 85, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Atlantic Monthly, v. 289, January, 2002 for “Incomparable Naturalism” by Philip Hensher. Reproduced by permission of A P Watt Ltd on behalf of Philip Hensher.—Canadian Slavonic Papers, v. XXXV, September-December, 1993; v. XLII, September, 2000. Copyright © Canadian Slavonic Papers, Canada, 1993, 2000. Both reproduced by permission.—College Literature, v. XII, fall, 1985. Copyright © 1985 by West Chester University. Reproduced by permission.—The Comparatist,

  • v. XXI, May, 1997. Copyright © 1997 by the Southern Comparative Literature Association. Used by permission of the University of North Carolina Press.—Dalhousie French Studies, v. 56, fall, 2001. Reproduced by permission.—European Journal of English Studies, v. 2, 1998 for “Angela Carter’s Pronominal Acrobatics: Language in ‘The Erl-King’ and ‘The Company of Wolves’” by Monika Fludernik. © Swets & Zeitlinger. Reproduced by permission of the author and Taylor & Francis, Ltd at http//:www.tandf.co.uk/journals.—Hungarian Journal of English and American Studies, v. 5, 1999. Copyright © by HJEAS. All rights reserved. Reproduced by permission.—Journal of the Utah Academy of Sciences, Arts, and Letters, v. 76, 1999. Copyright © Gary Godfrey. All rights reserved. Reproduced by permission.—Kenyon Review, v. 19, summer-fall, 1997 for “In Olden Times, When Wishing Was Having © Classic and Contemporary Fairy Tales” by Joyce Carol Oates. Copyright © 1997 Ontario Review. All rights reserved. Reprinted by permission of John Hawkins & Associates, Inc.—Marvels & Tales, v. 17, 2003. Copyright © 2003 Wayne State University Press. Reproduced with permission of the Wayne State University Press.—Mediaevalia: An Interdisciplinary Journal of Medieval Studies Worldwide, v. 22, Special Issue, 1999. Copyright © 1999 by CEMERS. Reproduced by permission.—Neophilologus, v. LXXI, April, 1987 for “Chekhov and the Modern Short Story in English” by David W. Martin. © 1987 Wolters-Noordhoff, Groningen, The Netherlands. Reproduced by permission of the author.—North Dakota Quarterly, v. 59, summer, 1991. Copyright 1991 by The University of North Dakota. Reproduced by permission.—Review of Contemporary Fiction, v. 14, fall, 1994. Copyright © 1994 The Review of Contemporary Fiction. Reproduced by permission.—Romance Quarterly, v. 39, August, 1992;
  • v. 48, winter, 2001; v. 51, winter, 2004. Copyright © 1992, 2001, 2004 by Helen Dwight Reid Educational Foundation. All reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Romanic Review, v. 86, March, 1995. Copyright © 1995 by the Trustees of Columbia University in the City of New York. Reproduced by permission.—Russian Literature, v. XXXV, February 15, 1994; v. 44, November 15, 1998; v. XLVIII, November 15, 2000. © 1994, 1998, 2000, Elsevier Science B.V. All reproduced with permission from Elsevier.—Russian Review, v. 53, January, 1994; v. 58, July, 1999. Copyright © 1994, 1999 Basil Blackwell Ltd. Both reproduced by permission of Blackwell Publishers.—Scottish Slavonic Review,spring, 1991. Copyright © Scottish Slavonic Review and contributors 1991. Reproduced by permission.—Sixteenth Century Journal ,v. XXXI, summer, 2000; v. XXXIV, summer, 2003. Copyright © 2000, 2003 by the Sixteenth Century Journal Publishers, Inc., Kirksville, Missouri 63501-0828 U. S. A. All rights reserved. Both reproduced by permission.—Slavic and East European Journal, v. 44, autumn, 2000; v. 47, fall, 2003. Copyright © 2000, 2003 by AATSEEL of the U.S., Inc. Both reproduced by permission.—Slavic Review, v. 62, summer, 2003. Copyright © 2003 by the American Association for the Advancement of Slavic Studies, Inc. Reproduced by permission.—Studies in Short Fiction, v. 27, spring, 1990; v. 33, summer, 1996. Copyright © 1990, 1996 by Studies in Short Fiction. Both reproduced by permission.—Style, v. 29, fall, 1995. Copyright © Style, 1995. All rights reserved. Reproduced by permission of the publisher.—Women’s Studies, v. 25, 1996, for “‘Seeing is believing, but touching is the truth’: Female Spectatorship and Sexuality in The Company of Wolves” by Catherine Lappas. © 1996 OPA (Overseas Publishers Association). Reproduced by permission of the author and Taylor & Francis, Ltd at http//:www.tandf.co.uk/journals.—World Literature Today, v. 70, spring, 1996. Copyright © 1996 by World Literature Today. Reproduced by permission of the publisher.
    • COPYRIGHTED MATERIAL IN SSC, VOLUME 85, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Clive, H. P. From an Introduction to Marguerite de Navarre: Tales from the Heptaméron. Edited by H. P. Clive. The Athlone Press, 1970. Copyright © H. P. Clive, 1970. Reproduced by permission of Continuum International Publishing Com

    pany.—Coulehan, Jack. From an Introduction to Chekhov’s Doctors: A Collection of Chekhov’s Medical Tales.Edited by Jack Coulehan. Kent State University Press, 2003. Copyright © 2003 by The Kent State University Press. Reproduced by permission.—Davis, Betty J. From The Storytellers in Marguerite de Navarre’s Heptaméron. French Forum Publishers, 1978. Copyright © 1978 by French Forum Publishers, Incorporated. All rights reserved.—Ford, Richard. From “Introduction: Why We Like Chekhov,” in The Essential Tales of Chekhov. Edited and with an introduction by Richard Ford. Translations by Constance Garnett. The Ecco Press, 1998. Introduction copyright © 1998 by Richard Ford. Copyright © 1919, 1972 by Macmillan Company. All rights reserved. Reproduced by permission of HarperCollins Publishers Inc.—Freccero, Carla. From “Unwriting Lucretia: ‘Heroic Virtue’ in the Heptaméron,”in Heroic Virtue, Comic Infidelity: Reassessing Marguerite de Navarre’s Heptaméron. Edited by Dora E. Polachek. Hestia Press, 1993. Copyright 1993 by Hestia Press. All rights reserved. Reproduced by permission.—Gamble, Sarah. From Angela Carter: Writing from the Front Line.Edinburgh University Press, 1997. www.eup.ed.ac.uk. Reproduced by permission.—Johnson, Ronald L. From Anton Chekhov: A Study of the Short Fiction.Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by permission of Thomson Gale.—Makinen, Merja. From “Angela Carter’s The Bloody Chamber and the Decolonisation of Feminine Sexuality,’” in Angela Carter.Edited by Alison Easton. Macmillan, 2000. Introduction, selection and editorial matter © Alison Easton 2000. All rights reserved. Reproduced with permission of the author.—Middleton, Linda C. From “A Consummation Devourly To Be Wished: Representations of Anorexia in Angela Carter’s ‘The Lady of the House of Love,’” in Constructions and Confrontations: Changing Representations of Women and Feminisms, East and West.Edited by Cristina Bacchilega and Cornelia N. Moore. University of Hawai’i Press, 1996. Copyright © 1996 by the College of Languages, Linguistics and Literature, University of Hawai’i. All rights reserved. Reproduced by permission.—Pitcher, Harvey. From Chekhov: The Comic Stories.Translated from the Russian and with an Introduction by Harvey Pitcher. Ivan R. Dee, 1999. Copyright © 1999 by Harvey Pitcher and Patrick Miles. All rights reserved. Courtesy of Ivan R. Dee, Publisher.—Polachek, Dora E. From “Save the Last Laugh for Me: Revamping the Script of Infidelity in Novella 69,” in Heroic Virtue, Comic Infidelity: Reassessing Marguerite de Navarre’s Heptaméron. Edited by Dora E. Polachek. Hestia Press, 1993. Copyright 1993 by Hestia Press. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS APPEARING IN SSC, VOLUME 85, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Carter, Angela, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.

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