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ISSN 0895-9439

Volume 52

Criticism of the Works of Short Fiction Writers

Janet Witalec Project Editor

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Editorial

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Research

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Short Story Criticism, Vol. 52

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1979. © 1979 by Ardis Publishers. Reproduced by permission.—Bocharov, Sergei. From “Around ‘The Nose,’” in Essays on Gogol: Logos and the Russian Word. Northwestern University Press, 1992. Copyright © 1992 Northwestern University Press. All rights reserved. Reproduced by permission.—Brown, William Edward. From “Nikolai Gogol: St. Petersburg Stories and Comedies,” in A History of Russian Literature of the Romantic Period, Volume Four. Ardis, 1986. © 1986 by Ardis Publishers. Reproduced by permission.—Burleson, Donald. From “On Lovecraft’s Themes: Touching the Glass,” in An Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H. P. Lovecraft. Associated University Presses, 1991. Copyright © 1991 by Associated University Presses. All rights reserved. Reproduced by permission.— Burleson, Donald R. From “Early Years: Beginnings and Foreshadowings (1920-1923),” in H. P. Lovecraft: A Critical Study. Greenwood Press, 1983. © Copyright 1983 Greenwood Press. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Cox, Arthur Jean. From “Some Thoughts on Lovecraft,” in Discovering H. P. Lovecraft.R. Reginald The Borgo Press, 1987. Copyright © 1987 by R. Reginald The Borgo Press. All rights reserved. Reproduced by permission.—Dziemianowicz, Stefan. From “Outsiders and Aliens: The Uses of Isolation in Lovecraft’s Fiction,” in An Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H. P. Lovecraft. Associated University Presses, 1991. Copyright © 1991 by Associated University Presses. All rights reserved. Reproduced by permission.—Eilersen, Gillian Stead. From “A Sense of Community, 1973-1974,” in Bessie Head, Behind Her Ears: Her Life and Writing. David Philip Publishers Ltd., 1995. Copyright © 1995 by David Philip Publishers Ltd. All rights reserved. Reproduced by permission.—Fanger, Donald. From “Beginnings: Fiction,” in The Creation of Nikolai Gogol. Harvard University Press, Cambridge Mass.: The Belknap Press of Harvard University Press. 1979. Copyright © 1979 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of the publisher.—Feurle, Gisela. From “Welcome Robinson Crusoe, Welcome!: The Story Re-Told by Female Voice from Africa in Bessie Head’s Botswana Village Tales,” in Across the Lines: Intertextuality and Transcultural Communication in the New Literatures in English. Rodopi, 1998. Copyright © 1998 by Rodopi. All rights reserved. Reproduced by permission.—From Joshi, S. T. In H. P. Lovecraft. Starmont House, 1982. Copyright © 1982 by Starmont House. All rights reserved. Reproduced by permission.—Indick, Ben P. From “Lovecraft’s Ladies,” in Discovering H. P. Lovecraft. R. Reginald The Borgo Press, 1987. Copyright © 1987 by R. Reginald The Borgo Press. All rights reserved. Reproduced by permission.—Karlinsky, Simon. From “Surrealism: ‘The Nose,’” in The Sexual Labyrinth of Nikolai Gogol. The University of Chicago Press, 1992. Copyright © 1992 by S. Karlinsky. All rights reserved. Reproduced by permission.—Linstrom, Thas S. From “The Pertersburg Cycle,” in Nikolay Gogol. Twayne, 1974. Copyright © 1974 by Twayne. All rights reserved. Reproduced by permission.—Mosig, Dirk W. From “The Four Faces of the Outsider,” in Discovering H. P. Lovecraft. R. Reginald The Borgo Press, 1987. Copyright © 1987 by R. Reginald The Borgo Press. All rights reserved. Reproduced by permission.—Oz, Amos. From “With an Expression of Very Respectable Importance: On the Beginning of Gogol’s ‘The Nose,’” in The Story Begins: Essays on Literature. Harcourt Brace, 1996. Copyright © 1996 by Harcourt Brace. Published in the British Commonwealth by Chatto & Windus. All rights reserved. Reproduced by permission of Harcourt Brace and The Random House Group Limited.—Peace, Richard. From “The Nose,” in The Enigma of Gogol: An Examination of the Writings of N. V. Gogol and Their Place in the Russian Literary Tradition. Cambridge University Press, 1981. Reprinted with permission of Cambridge University Press and the author.—Poggi, Valentina. From “Vision and Space in Elspeth Davie’s Fiction,” in A History of Scottish Women’s Writing. Edinburgh University Press, 1997. Copyright © 1997 by Edinburgh University Press. All rights reserved. Reproduced by permission.—Rowe, William Woodin. From “Tales,” in Through Gogol’s Looking Glass: Reverse Vision, False Focus, and Precarious Logic. New York University Press, 1976. Copyright © 1976 by New York University Press. All rights reserved. Reproduced by permission.—Schweitzer, Darrell. From “Lovecraft and Lord Dunsany,” in Discovering H. P. Lovecraft, Revised & Expanded. Wildside Press, 2001. Copyright © 1976, 2001 by Darrell Schweitzer. All rights reserved. Reproduced by permission.—Schweitzer, Darrell. From The Dream Quest of H. P. Lovecraft. R. Reginald The Borgo Press, 1978. Copyright © 1978 by R. Reginald The Borgo Press. All rights reserved. Reproduced by permission.—Shukman, Ann. From “Gogol’s ‘The Nose’ or the Devil in the Works,” in Nikolay Gogol: Text and Context. Macmillan, 1989. Copyright © 1989 by Macmillan. All rights reserved. Reproduced by permission.—Thomas, H. Nigel. From “Narrative Strategies in Bessie Head’s Stories,” in The Tragic Life: Bessie Head and Literature in Southern Africa. Africa World Press Inc., 1990. Copyright © 1990 by Africa World Press Inc. All rights reserved. Reproduced by permission.—Weinberg, Robert. From “H. P. Lovecraft and Pseudomathematics,” in Discovering H. P. Lovecraft. R. Reginald The Borgo Press, 1987. Copyright © 1987 by R. Reginald The Borgo Press. All rights reserved. Reproduced by permission.—Yermakov, Ivan. From “The Nose,” in Gogol From the Twentieth Century: Eleven Essays. Princeton University Press, 1974. Copyright © 1974 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 52, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Gibson, William, photograph by Alex Waterhouse-Hayward. Reproduced by permission.—Gogol, Nikoai, illustration. Corbis-Bettmann. Reproduced by permission.—Head, Bessie, photograph. Reproduced by the kind permission of the Estate of Bessie Head.—Lovecraft, H. P., photograph.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher Steven R. Harris

Jackson Library English Literature Librarian

University of Tennessee University of North Carolina at Greensboro

David M. Durant Gwen Scott-Miller

Joyner Library Fiction Department Manager East Carolina University Seattle Public Library