Dick, Philip K. - Copyright Page

ISSN 0895-9439

Volume 57

Criticism of the Works of Short Fiction Writers

Janet Witalec Project Editor

Project Editor

Janet Witalec

Editorial

Anja Barnard, Jenny Cromie, Kathy D. Darrow, Justin Karr, Julie Keppen, Ellen McGeagh

Research

Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie A. Richardson

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Short Story Criticism, Vol. 57

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versity of Southern Mississippi. Reproduced by permission.—Studies in Short Fiction, v. 21, Fall 1984; v. 23, Summer, 1986; v. 24, Fall 1987; v. 26, Summer 1989; v. 27, Summer 1990; v. 29, Summer 1992; v. 29, Winter 1992; v. 30, Summer 1993; v. 33, Spring, 1996. Copyright 1984, 1986, 1987, 1989, 1990, 1992, 1993, 1996 by Newberry College. Reproduced by permission.—Times Educational Supplement, December 9, 1983. © The Times Supplements Limited 1983. Reproduced from The Times Literary Supplement by permission.—Times Literary Supplement, July 17, 1969; July 15, 1983. © The Times Supplements Limited 1969, 1983. Reproduced from The Times Literary Supplement by permission.—Transactions, v. 28, 1996-1997 for “Turgenev’s ‘Knock ... Knock ... Knock! ...’: The Riddle of the Story,” by Robert Louis Jackson. Reproduced by permission of the author.—Virginia Quarterly Review, v. 58, Winter 1982. Copyright, 1982, by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission of the publisher.—The Washington Post Book World, June 18, 1990; September 5, 1993. © 1990, 1993 Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission.—World Literature Today, v. 73, Winter 1999. Copyright 1999 by the University of Oklahoma Press. Reprinted by permission of the publisher.

COPYRIGHTED MATERIAL IN SSC, VOLUME 57, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Abrash, Merritt. From “Elusive Utopias: Societies as Mechanisms in the Early Fiction of Philip K. Dick,” in Clockwork Worlds: Mechanized Environments in SF. Edited by Richard D. Erlich and Thomas P. Dunn. Greenwood Press, 1983. Copyright © 1983 by Richard D. Erlich and Thomas P. Dunn. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Bertrand, Frank C., “Form vs. Content in P. K. Dick’s ‘The Father-Thing.’” <http://philipkdick.com/frank/thing1.htm>. Published by philipkdick.com (2002). Reprinted with permission.—Bertrand, Frank C., “Something Rich and Strange: P. K. Dick’s ‘Beyond Lies the Wub.’” <http://philipkdick.com/frank/wub1.htm>. Published by philipkdick.com (2002). Reprinted with permission.—Brouwer, Sander. From Semantic Analysis of Literary Texts. Edited by Eric De Haard, Thomas Langerak, Willem G. Weststeijn. Elsevier, 1990. Copyright © 1990 by Elsevier Science Publishers B.V. All rights reserved. Reproduced by permission of the author.—Conrad, Joseph L. From “Chekhov’s ‘Vologya’: Transformations of Turgenev’s ‘First Love,’” in Reading Chekhov’s Text. Edited by Robert Louis Jackson. Northwestern University Press, 1993. Copyright © by Northwestern University Press. All rights reserved. Reproduced by permission.—Costlow, Jane. From Engendering Slavic Literatures. Edited by Pamela Chester and Sibelan Forrester. Indian University Press, 1996. Copyright © 1996 by Indian University Press. All rights reserved. Reproduced by permission.—Costlow, Jane T. From Freedom and Responsibility in Russian Literature: Essays in Honor of Robert Louis Jackson. Edited by Elizabeth Cheresh Allen and Gary Saul Morson. Northwestern University Press, 1995. Copyright © 1995 by Northwestern University Press. All rights reserved. Reproduced by permission.—Dalton, Margaret. From Alexander Lipson: In Memoriam. Slavica Publishers, 1993. Copyright © 1993 by Margaret Dalton. All rights reserved. Reproduced by permission of the author.—Dick, Philip K. From Philip K. Dick. Edited by Martin Harry Greenberg and Joseph D. Orlander. Taplinger Publishing Company, 1983. Copyright © 1983 by Martin Harry Greenberg and Joseph D. Orlander. All rights reserved. Reproduced by permission of the author.—Easterbrook, Neil. From Philip K. Dick: Contemporary Critical Interpretations. Edited by Samuel J. Umland. Greenwood Press, 1995. Copyright © 1995 by Samuel J. Umland. All rights reserved. Reproduced by permission.—Graves, Nora Calhoun. From Critical Essays on John Cheever. Edited by R. G. Collins. G.K. Hall & Co., 1983. Copyright 1983 by R. G. Collins. All rights reserved.—Hughes, Rebecca and Kieron O’Hara. From The Ethics in Literature. Edited by Andrew Hadfield, Dominic Rainsford, and Tim Wood. St. Martin’s Press, Inc., 1999. Copyright © 1999 by Andrew Hadfield, Dominic Rainsford and Tim Wood. All rights reserved. Reproduced by permission.—Koornick, Jason, “The Minority Report on Minority Report: A Conversation with Gary Goldman.” <http://philipkdick.com/interviews/goldman.htm>. Published by philipkdick.com (July 2002). Reprinted by permission.—La Croix, James Keith, “You Lookin’ At Me?” <http://www.metrotimes.com/editorial/story.asp?id=3390>. Published by Metro Times (June 19, 2002). Reproduced by permission of the author.—Palmer, Christopher. From Philip K. Dick: Contemporary Critical Interpretations. Edited by Samuel J. Umland. Greenwood Press, 1995. Copyright © 1995 by Samuel J. Umland. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.— Roberts, Terry. From “A Certain Path, a Personal Road,” in Self and Community in the Fiction of Elizabeth Spencer. Louisiana State University Press, 1994. Copyright © 1994 by Louisiana State University Press. All rights reserved. Reproduced by permission of Louisiana State University Press.—Roberts, Terry. From “Italy: Dream and Nightmare,” in Self and Community in the Fiction of Elizabeth Spencer. Louisiana State University Press, 1994. Copyright © 1994 by Louisiana State University Press. All rights reserved. Reproduced by permission of Louisiana State University Press.—Seeley, Frank Friedeberg. From Turgenev: A Reading of His Fiction. Cambridge University Press, 1991. Copyright © 1991 by Cambridge University Press. All rights reserved. Reproduced by permission of Cambridge University Press and the author.—Segel, David. From The Critical Response to John Cheever. Edited by Francis J. Bosha. Greenwood Press, 1994. Copyright © 1994 by Francis J. Bosha. All rights reserved. Reproduced by permission.—Slabey, Robert M. From Critical Essays on John Cheever. Edited by R. G. Collins. G.K. Hall & Co., 1983. Copyright 1983 by R. G. Collins. All rights reserved. Reproduced by permission.—Umland, Samuel J. From Philip K. Dick: Contemporary Critical Interpretations.

Edited by Samuel J. Umland. Greenwood Press, 1995. Copyright © 1995 by Samuel J. Umland. All rights reserved. Reproduced by permission.—Warren, Eugene. From Philip K. Dick. Edited by Martin Harry Greenberg and Joseph D. Orlander. Taplinger Publishing Company, 1983. Copyright © 1983 by Martin Harry Greenberg and Joseph D. Orlander. All rights reserved. Reproduced by permission of Gene Doty.—Warrick, Patricia S. From Mind in Motion: The Fiction of Philip K. Dick. Southern Illinois University Press, 1987. Copyright © 1987 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.—Warrick, Patricia S. From Philip K. Dick. Edited by Martin Harry Greenberg and Joseph D. Orlander. Taplinger Publishing Company, 1983. Copyright © 1983 by Martin Harry Greenberg and Joseph D. Orlander. All rights reserved. Reproduced by permission of the author.—Wessel, Karl. From “Worlds of Chance and Counterfeit: Dick, Lem, and the Preestablished Cacophony,” in Philip K. Dick: Contemporary Critical Interpretations. Edited by Samuel J. Umland. Greenwood Press, 1995. Copyright © 1995 by Samuel J. Umland. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 57, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Cheever, John, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Millhauser, Steven, 1997, photograph. AP/Wide World Photos. Reproduced by permission.—Spencer, Elizabeth, photograph. AP/Wide World Photos. Reproduced by permission.—Turgenev, Ivan, photograph. The Library of Congress.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher David M. Durant

Jackson Library Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Assistant Director of Materials and Programming University of Tennessee Sno-Isle Regional Library System