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COPYRIGHTED EXCERPTS IN SSC, VOLUME 40, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. L, January, 1979; v. 54, October, 1982. Copyright © 1979, 1982 by Duke University Press, Durham, NC. Both reproduced by permission.—The Anglo-Welsh Review, v. 14, Winter, 1964-5 for “The Short Stories of Alun Lewis” by John Stuart Williams. / v. 20, Spring, 1972 for “Alun Lewis: The Early Stories” by Jacqueline Banerjee. Both reprinted by permission of the authors.—ANQ, v. 2, April, 1989. Copyright © 1989 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The Antioch Review, v. 45, Winter, 1987. Copyright © 1987 by the Antioch Review Inc. Reproduced by permission of the Editors.—Australian Literary Studies, v. 8, October, 1977 for “What Happened to the Short Story?” by Frank Moorhouse. / v. 14, October, 1990 for “The Short Story Cycles of Frank Moorhouse” by Gay Raines. Both reproduced by permission of the publisher and the authors.—Contemporary Literature, v. 25, Spring, 1984. Copyright © 1984 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Critique, v. XVI, 1974. Copyright © 1974 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—English Literature in Transition 1880-1920, v. 28, 1985. Copyright © 1985 English Literature in Transition: 1880-1920. Reproduced by permission.—Essays and Studies, v. 5, 1952 for “A Study of Arthur Morrison” by Jocelyn Bell. © The English Association 1952. Reproduced by permission of the publisher and the author.—Essays in Criticism, v. XXI, January, 1971 for “Hemingway’s Clean, Well-Lighted, Puzzling Place” by David Lodge. Reproduced by permission.—Essays in French Literature, no. 26, November, 1989. Reproduced by permissions.—Essays in Literature, v. VI, Spring, 1979. Copyright 1978 by Western Illinois University. Reproduced by permission.—Fitzgerald/Hemingway Annual, 1977, 1979. Copyright © 1980 by The Gale Research Company, Detroit, Michigan, United States of America. Both reproduced by permission.—Forum for Modern Language Studies, v. XXX, July, 1994 for “The Drive for Power in Marguerite Duras’ ‘L’Amant’” by Graham Dunstan Martin. © Forum for Modern Language Studies 1994. All rights reserved. Reproduced by permission.—French Forum, v. 19, January, 1994. Copyright © 1994 by French Forum, Publishers, Inc. Reproduced by permission.—The Hemingway Review, v. II, Fall, 1982; v. II, Spring, 1983; v. VIII, Spring, 1989; v. IX, Spring, 1990; v. 13, Fall, 1993; v. 13, Spring, 1994; v. 18, Fall, 1998. Copyright © 1982, 1983, 1989, 1990, 1993, 1994, 1998 by The Ernest Hemingway Foundation. All reproduced by permission.— L’Esprit Créateur, v. XXX, Spring, 1990. Copyright © 1990 by L’Esprit Créateur. Reproduced by permission.—Lost Generation Journal, v. IV, Spring-Summer, 1976. © LITERARY ENTERPRISES INC. 1976. All rights reserved under Universal and Pan American copyright conventions. Reproduced by permission.—Modern Fiction Studies, v. 19, Winter, 197374; v. 27, Spring, 1981. © 1974, 1981. Both reproduced by permission of The Johns Hopkins University Press.—Modern Language Notes, v. 94, May, 1979. © 1979. Reproduced by permission of The Johns Hopkins University Press.—The Modern Language Review, v. 84, July, 1989. Reproduced by permission.—The New York Review of Books, v. XXXII, June 27, 1985. Copyright © 1985 Nyrev, Inc. Reproduced with permission from The New York Review of Books.—Novel,

v. 25, Spring, 1992. Copyright NOVEL Corp. © 1992. Reproduced with permission.—Overland, Spring, 1973 for “Notes on Frank Moorhouse” by Brian Kiernan. / 1978 for “Frank Moorhouse and The New Journalism” by Bruce Bennett. Both reproduced by permission.—The Pacific Spectator: A Journal of Interpretation, v. IX, Autumn, 1955. Reproduced by permission.—RANAM, v. XXI, Annee, 1988. Reproduced by permission.—Romanic Review, v. LXIX, May, 1978. Reproduced by permission.—South Atlantic Bulletin, v. XXXIV, November, 1969. Reproduced by permission.—Southerly, v. 36, March, 1976 for “Frank Moorhouse’s Discontinuities” by Don Anderson. Copyright 1976 by the author. Reproduced by permission of the publisher and the author.—The Spectator, v. 170, February 26, 1943. © 1943 by The Spectator. Reproduced by permission of The Spectator.—Studies in American Fiction, v. 1, Spring, 1973. Copyright © 1973 Northeastern University. Reproduced by permission.—Studies in Short Fiction, v. I, Winter, 1964; v. VIII, Spring, 1971; v. XI, Spring, 1974; v. XIII, Winter, 1976; v. 29, Fall, 1992. Copyright 1964, 1971, 1974, 1976, 1992 by Newberry College. All repro

duced by permission.—Symposium, v. XXX, Fall, 1976. Copyright © 1976 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The Times Literary Supplement, March 27, 1943; July 21, 1966; October 5, 1984. © The Times Supplements Limited 1943, 1966, 1984. All reproduced from The Times Literary Supplement by permission.—Twentieth Century Literature, v. 28, 1982; v. 29, 1983. Copyright 1982, 1983, Hofstra University Press. Both reproduced by permission.—The USF Language Quarterly, v. XXVI, Spring-Summer, 1988. Reproduced by permission.—WLWE, v. 25, Spring, 1985. © Copyright 1985 WLWE-World Literature Written in English. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN SSC, VOLUME 40, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Allen, Walter. From The Short Story in English. Oxford at the Clarendon Press, 1981. © 1981 by Walter Allen. Reprinted by permission of Harold Ober Associates Incorporated.—Bennett, Warren. From The Short Stories of Ernest Hemingway: Critical Essays. Edited by Jackson J. Benson. Duke University Press, 1975. © Graham Lord 1980. Reproduced by permission.—Birkerts, Sven. From An Artificial Wilderness: Essays on 20th-Century Literature. William Morrow and Company, Inc., 1987. Copyright © 1987 by Sven Birkerts. Reproduced by permission.—Bleiler, E. F. From an introduction to Best Martin Hewitt Detective Stories by Arthur Morrison. Dover Publications, Inc., 1976. Copyright © 1976 by Dover Publications, Inc. All rights reserved under Pan American and International Copyright Conventions. Reproduced by permission.— Brooks, Peter. From Body Works: Objects of Desire in Modern Narrative. Harvard University Press, 1993. Copyright © 1993 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission Harvard University Press.—Chester, Suzanne. From De/Colonizing the Subject: The Politics of Gender in Women’s Autobiography. Edited by Sidonie Smith and Julie Watson. University of Minnesota Press, 1992. Copyright 1992 by the Regents of the University of Minnesota. Reproduced by permission.—Cismaru, Alfred. From Marguerite Duras. Twayne Publishers, Inc., 1971. Copyright © 1971 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of the author.—Hirsch, Marianne. From The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism. Indiana University Press, 1989. © 1989 by Marianne Hirsch. All rights reserved. Reproduced by permission.—Keating, P. J. From The Working Classes in Victorian Fiction. Routledge & Kegan Paul, 1971. © P. J. Keating 1971. Reproduced by permission.—Krzak, Michael. From a preface to Tales of Mean Streets by Arthur Morrison. The Boydell Press, 1983. © 1983 National Society for the Prevention of Cruelty to Children and Westminster Hospital. Reproduced by permission.—Krzak, Michael. From Victorian Writers and the City. Edited by Jean-Paul Hulin and Pierre Coustillas, 1979. © Universite de Lille III. Reproduced by permission.— Lehmann, John. From “A Human Standpoint” in The Open Night. Longmans, Green and Co., 1952. Reproduced by permission of the author.—Morgan, Janice. From Redefining Autobiography in Twentieth-Century Women’s Fiction: An Essay Collection. Edited by Janice Morgan and Colette T. Hall. Garland Publishing, Inc., 1991. Copyright 1991 by the American Association of Teachers of French. Reproduced by permission.—Rava, Susan. From Women Writers and the City: Essays in Feminist Literary Criticism. Edited by Susan Merrill Squier. The University of Tennessee Press, 1984. Copyright © 1984 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.—Schuster, Marilyn R. From Marguerite Duras Revisited. Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by The Gale Group.—Selous, Trista. From The Other Woman: Feminism and Femininity in the Work of Marguerite Duras. Yale University Press, 1988. Copyright © 1988 by Yale University. All rights reserved. Reproduced by permission.—Willis, Sharon. From Marguerite Duras: Writing on the Body. University of Illinois Press, 1987. © 1987 by the Board of Trustees of the University of Illinois. Reproduced by permission of the University of Illinois Press.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 40, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Duras, Marguerite, photograph. AP/Wide World Photos. Reproduced by permission.—Hemingway, Ernest (kneeling with kill), 1937, Africa, photograph. Archive Photos, Inc. Reproduced by permission.—Moorhouse, Frank, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.