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COPYRIGHTED EXCERPTS IN SSC, VOLUME 37, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Imago, v. 36, Summer, 1979. Copyright 1979 by the Association for Applied Psychoanalysis. Reproduced by permission.— American Quarterly, v. XV, Summer, 1963. © 1963. Reproduced by permission of The Johns Hopkins University Press.—Ariel: A Review of International English Literature, v. 25, January, 1994 for “‘To Understand this World Differently’: Reading and Subversion in Leslie Marmon Silko’s Storyteller” by Linda J. Krumholz. Copyright © 1994 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher and the author.—The CEA Critic, v, 55, Fall, 1992. Copyright © 1992 by the College English Association. Reproduced by permission.—Chicago Tribune Books, September 10, 1995 for “Moving Beyond Gothic: The Different Reality of María Luisa Bombal” by Penelope Mesic. © 1995 Tribune Media Services, Inc. All rights reserved. Reproduced by permission of the author.—Deutsche Vierteljahrs Schrift, July 2, 1981 for “Reading Representation in Franz Grillparzer’s Der arme Spielmann” by James Porter. Reproduced by permission of the author.—English Language Notes, v. XXVI, March, 1989. © copyrighted 1989, Regents of the University of Colorado. Reproduced by permission.—The Explicator, v. 55, Fall, 1996. Copyright 1996 by Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The German Quarterly,v.XLV, November, 1972. Copyright © 1972 by the American Association of Teachers of German. Reproduced by permission.— The Germanic Review, v. 55, Summer, 1980. Copyright © 1980 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802./v. LIII, Spring, 1978 for “Proportion and Disproportion in Grillparzer’s ‘Der arme Spielmann’” by W.C. Reeve; v. LVI, Fall, 1981 for “‘Der arme Spielmann’ and the Role of Compromise in Grillparzer’s Work” by Ian F. Roe. Copyright 1978, 1981 by Helen Dwight Reid Educational Foundation. Both reproduced by permission of the respective authors.—Hispanofila, v. 28, September, 1984; v. 112, September, 1994. Both reproduced by permission.—Kentucky Romance Quarterly, v. 26, 1979. Copyright © 1979 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Latin American Literary Review, v. IV, Fall-Winter, 1976; v. X, Spring-Summer, 1982. © 1976, 1982 Latin American Literary Review. Both reproduced by permission.—Modern Austrian Literature, v. 3, Fall, 1970. © International Arthur Schnitzler Association 1970. Reproduced by permission.—Modern Fiction Studies, v. XI, Spring, 1965; v. XIV, Winter 1968-9; v. 20, Summer 1974; v. 31, Summer, 1985. © 1965, 1969, 1974, 1985 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. All reproduced by permission of The Johns Hopkins University Press.—Modern Languages, v. 70, December, 1989. Reproduced by permission.—Mosaic: A Journal for the Interdisciplinary Study of Literature, v. IX, Spring, 1976. © Mosaic 1976. Acknowledgment of previous publication is herewith made.—Revista de Estudios Hispánicos, v. XIV, January, 1980. Reproduced by permission.—Seminar,v. XII, November, 1976. © The Canadian Association of University Teachers of German 1976. Reproduced by permission of the publisher.—Steinbeck Quarterly, v. VII, Summer-Fall, 1974 for “The Original Manuscripts of Steinbeck’s ‘The Chrysanthemums,’” by Roy S. Simmonds; v. XXII, Winter-Spring, 1989 for “‘The Chrysanthemums’ Revisted” by C. Kenneth Pellow; v. XXI, Summer-Fall, 1993 for “Longing for the Lost Frontier: Steinbeck’s Vision of Cultural Decline in ‘The White Quail’ and ‘The Chrysanthemums,’” by Christopher S. Busch. All rights reserved. All reproduced by permission of the copyright owner and the respective authors.—Studies in American Fiction, v. 15, Autumn, 1987. Copyright © 1987 Northeastern University. Reproduced by permission.—Studies in Short Fiction, v. VII, Spring, 1970; v. IX, Winter, 1972. Copyright 1970, 1972 by Newberry College. Both reproduced by permission.—Wascana Review, v. 21, Spring, 1986. Reproduced by permission.

COPYRIGHTED EXCERPTS IN SSC, VOLUME 37, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Adams, M. Ian. From Three Authors of Alienation: Bombal, Onetti, Carpentier. University of Texas Press, 1975. Copyright © 1975 by M. Ian Adams. All rights reserved. Reproduced by permission.—Boos, Florence. From an interview with Leslie Marmon Silko in Speaking of the Short Story. Edited by Farhat Iftekharuddin, Mary Rohrberger, and Maurice Lee. University Press of Mississippi, 1997. Copyright © 1997 by University Press of Mississippi. All rights reserved. Reproduced by permission.—Boyle, Catherine M. From “The Fragile Perfection of the Shrouded Rebellion (Re-reading Passivity in María Luisa Bombal)” in Women Writers in Twentieth-Century Spain and Spanish America. Edited by Catherine Davies. The Edwin Mellen Press, 1993. Copyright © 1993 The Edwin Mellen Press. All rights reserved. Reproduced by permission.—Clouser, Robin A. From “The Pilgrim of Consciousness: Hauptmann’s Syncretistic Fairy Tale” in Hauptmann Research. New Directions. Edited by Peter Sprengel and Philip Mellen. Peter Lang, 1986. © Verlag Peter Lang GmbH, Frankfurt am Main 1986. All rights reserved. Reproduced by permission.—Cook, Roger F. From Grillparzer’s Der arme Spielmann: New Directions in Criticism. Camden House, 1988. © Copyright 1988 by Camden house, Inc. Reproduced by permission.—Coustillas, Pierre. From an introduction to The Day of Silence and Other Stories. By George Gissing. Edited by Pierre Coustillas. J. M. Dent, 1993. © J.M. Dent 1993. All rights reserved. Reproduced by permission.— Cowen, Roy C. From “The History of a Neglected Masterpiece: Der arme Spielmann,” in Grillparzer’s Der arme Spielmann: New Directions in Criticism. Edited by Clifford Albrecht Bernd. Camden House, 1988. © Copyright 1988 by Camden house, Inc. Reproduced by permission.—Ellis, John M. From Narration in the German Novelle: Theory and Interpretation. Cambridge University Press, 1974. © Cambridge University Press 1974. Reproduced with permission of Cambridge University Press.—Hoffman, Daniel. From Form and Fable in American Fiction. Oxford University Press (New York), 1961, 1989. Copyright © 1961 by Daniel G. Hoffman. Used by permission of the author.—Hughes, R.S. From John Steinbeck: A Study of Short Fiction. Twayne Publishers, 1989. Copyright © 1989 by G.K. Hall & Company. All rights reserved. Reproduced by permission.—Ivask, Ivar. From the introduction to The Poor Fiddler. By Franz Grillparzer. Translated by Alexander and Elizabeth Henderson. Frederick Ungar Publishing Co., 1967.—Jones, Patricia. From “The Web of Meaning: Naming the Absent Mother in Storyteller” in “Yellow Woman”: Leslie Marmon Silko. Edited by Melody Graulich. Rutgers University Press, 1993. Copyright © 1993 by Rutgers, The State University. All rights reserved. Reproduced by permission of the author.—Kappeler, Sima. From First Encounters in French and German Prose Fiction: 1830-1883. Peter Lang Publishing, Inc., 1996. © 1996 Peter Lang Publishing, Inc. Reproduced by permission.—Kempton, Kenneth Payson. From Short Stories for Study. Harvard University Press, 1953. Copyright © 1953 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of Harvard University Press.—Kostopulos-Cooperman, Celeste. From The Lyrical Vision of María Luisa Bombal. Tamesis Books Limited, 1988. © Copyright by Tamesis Books Limited, London 1988. Reproduced by permission.—Krupat, Arnold. From “The Dialogic of Silko’s Storyteller” in Narrative Chance: Postmodern Discourse on Native American Indian Literatures. Edited by Gerald Vizenor. University of New Mexico Press, 1989. © 1989 by the University of New Mexico Press. All rights reserved. Reproduced by permission.—Maurer, Warren R. From Gerhart Hauptmann. Twayne Publishers, 1982. Copyright © 1982 by G. K. Hall & Company. All rights reserved. Reproduced by permission.—Maurer, Warren R. From Understanding Gerhart Hauptmann. University of South Carolina Press, 1992. Copyright © 1992 University of South Carolina. Reproduced by permission.— Owens, Louis. From John Steinbeck’s Re-vision of America. The University of Georgia Press, 1985. © 1985 by the University of Georgia Press. All rights reserved. Reproduced by permission of the author.—Roe, Ian F. From Franz Grillparzer: A Century of Criticism. Camden House, 1995. Copyright © 1995 by Camden House, Inc. Reproduced by permission.—Roth, Marty. From Comedy and America: The Lost World of Washington Irving. Kennikat Press, 1976. Copyright © 1976 by Kennikat Press Corp. All right reserved. Reproduced by permission of the author.—Selig, Robert L. From George Gissing. Twayne Publishers, 1983. Copyright © 1983 by G. K. Hall & Company. All rights reserved. Reproduced by permission.—Selig, Robert L. From “Introduction: Gissing’s Exile in America” in George Gissing: Lost Stories from America. Edited by Robert L. Selig. The Edwin Mellen Press, 1992. Copyright © 1992 Robert L. Selig. All rights reserved. Reproduced by permission.—Shillinglaw, Susan. From “‘The Chrysanthemums’: Steinbeck’s Pygmalion” in Steinbeck’s Short Stories in “The Long Valley.” Essays in Criticism. Edited by Tetsumaro Hayashi. Steinbeck Research Institute, 1991. © 1991 Tetsumaro Hayashi. Reproduced by permission.—Silz, Walter. From Realism and Reality: Studies in the German Novelle of Poetic Realism, Number 11. University of North Carolina Press, 1954. Copyright 1954 The University of North Carolina Press, renewed 1982 by Walter Silz. All rights reserved. Used by permission of the publisher.—Swales, Martin. From The German Novelle. Princeton University Press, 1977. Copyright © 1977 by Princeton University Press. Reproduced by permission.—Thompson, Bruce. From Franz Grillparzer. Twayne Publisher, 1981. Copyright © 1981 by

All rights reserved. Reproduced by permission.—Yates, W. E. From Grillparzer: A Critical Introduction. Cambridge University Press, 1972. © Cambridge University Press, 1972. Reproduced with the permission of Cambridge University Press and the author.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 37, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Illustration from “The Legend of Sleepy Hollow.” By Washington Irving. Corbis-Bettmann. Reproduced by permission.— Silko, Leslie Marmon (wearing black shirt, parrot pin), photograph by Robyn McDaniels. © Robyn McDaniels. Reproduced by permission.—Steinbeck, John, photograph. AP/Wide World Photos. Reproduced by permission.