Criticism > Short Story Criticism > Chopin, Kate - Nancy S. Ellis (essay date 1992)
Chopin, Kate - Nancy S. Ellis (essay date 1992)
Nancy S. Ellis (essay date 1992)
SOURCE: Ellis, Nancy S. “Insistent Refrains and Self-Discovery: Accompanied Awakenings in Three Stories by Kate Chopin.” In Kate Chopin Reconsidered: Beyond the Bayou, edited by Lynda S. Boren and Sara deSaussure Davis, pp. 216-29. Baton Rouge: Louisiana State University, 1992.
[In the following essay, Ellis delineates the role of music in “After the Winter,” “At Cheniere Caminada,” and “A Vocation and a Voice.”]
In The Awakening, Mlle. Reisz's piano music triggers Edna Pontellier's first emotional arousing: “The very first chords … sent a keen tremor down Mrs. Pontellier's spinal column. It was not the first time she had heard an artist at the piano. Perhaps it was the first time she was ready, perhaps the first time her being was tempered to take an empress of the abiding truth. … The very passions themselves were aroused within her soul, swaying it, lashing it, as the waves...
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- Introduction
- Principal Works
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Criticism
- Emily Toth (essay date spring 1988)
- Roslyn Reso Foy (essay date summer 1991)
- Anne M. Blythe (essay date 1992)
- Nancy S. Ellis (essay date 1992)
- Sylvia Bailey Shurbutt (essay date spring 1993)
- Martha J. Cutter (essay date 1994)
- Suzanne D. Green (essay date fall-winter 1994)
- Heather Kirk Thomas (essay date spring 1995)
- Sandra Gunning (essay date autumn 1995)
- Lawrence I. Berkove (essay date 1996)
- Heather Kirk Thomas (essay date 1996)
- Elizabeth Ann Wolf (essay date winter-spring 1997)
- Pearl L. Brown (essay date March 1999)
- Lawrence I. Berkove (essay date winter 2000)
- John A. Staunton (essay date autumn 2000)
- Andrew Crosland (essay date winter 2001)
- Jeffrey Andrew Weinstock (essay date spring 2002)
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