Criticism > Short Story Criticism > Billy Budd, Herman Melville - James E. Miller, Jr. (essay date 1958)
Billy Budd, Herman Melville - James E. Miller, Jr. (essay date 1958)
James E. Miller, Jr. (essay date 1958)
SOURCE: “Billy Budd: The Catastrophe of Innocence,” in Modern Language Notes, Vol. 73, No. 3, March, 1958, pp. 168–76.
[In the following essay, Miller considers the symbolism and significance of the character Billy Budd, focusing on the nature of his innocence.]
Billy Budd has the distinction of being Melville's final fiction, the last embodiment of his complex vision.1 In it Melville did not attempt to find new truth through an old form but discovered a new form for an old, familiar theme. The theme may be found explicitly formulated as early as 1850 in White Jacket. There, placed in one of the inconspicuous chapters is the narrator's comment, arising from his witnessing the paradoxical Christian prayer of a “murderous,” death-dealing man-of-war canoneer, that given the current social construction of the world, which seems so “ill-adapted to the practical...
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- Charles Robert Anderson (essay date 1940)
- Ray B. West, Jr. (essay date 1952)
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- Peter Shaw (essay date 1993)
- Nancy Ruttenburg (essay date 1994)
- H. Bruce Franklin (essay date 1997)
- Jeff Westover (essay date 1998)
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