Billy Budd, Herman Melville - Copyright Page

ISSN 0895-9439

Volume 46

Criticism of the Works of Short Fiction Writers

Justin Karr Editor

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Library of Congress Catalog Card Number 88-641014
ISBN 0-7876-4706-3
ISSN 0895-9439
Printed in the United States of America

10987654321

burg Eagle, v. 7, April, 1982. Reproduced by permission. —World Literature Today, v. 61, Autumn, 1987. Copyright 1987 by the University of Oklahoma Press. Reprinted by permission of the publisher. —World Literature Written in English, v. 20, Spring, 1981. © Copyright 1981 WLWE-World Literature Written in English. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN SSC, VOLUME 46, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Briscoe Thompson, Lee. From “Minuets and Madness: Margaret Atwood’s ‘Dancing Girls’,” in The Art of Margaret Atwood Essays in Criticism. Edited by Arnold E. Davidson and Cathy N. Davidson. House of Anansi Press Limited, 1981. Copyright © 1981, House of Anansi Press Limited. All rights reserved. Reproduced by permission. —Brown, Russell, From “ Atwood’s Sacred Wells Dancing girls, poetry, and Surfacing,” in Critical Essays on Margaret Atwood. Edited by Judith McCombs. G.K. Hall and Co, 1988. Copyright © 1988 by Judith McCombs. All rights reserved. Reproduced by permission of The Gale Group. —Carrera Suarez, Isabel. From “’Yet I Speak, Yet I Exist’: Affirmation of the Subject in Atwood’s Short “Fiction,” in Margaret Atwood: Writing and Subjectivity, New Critical Essays. Edited by Colin Nicholson. St. Martin’s Press, 1994. Editorial material and selection © Colin Nicholson 1994, Text © The Macmillan Press Ltd 1994. All rights reserved. Reproduced by permission. —Clipper, Lawrence J. From “Detectives and :Apocalypses,” in G.K. Chesterton. Twayne Publishers, Inc. Copyright © 1974 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group. —Davey, Frank. From “The Short Stories,” in Margaret Atwood: A Feminist Poetics. Talonbooks, 1984. Copyright © 1984 Frank Davey. Reproduced by permission. —Dillingham, William B. From “Keeping True: Billy Budd, Sailor,” in Melville’s Later Novels. The University of Georgia Press, 1986. © 1986 by the University of Georgia Press. All rights reserved. Reproduced by permission. —Dubay, James. From “The Cross of Consciousness: Billy Budd,” in Melville’s Major Fiction: Politics, Theology, and Imagination. Northern Illinois University Press, 1983. Copyright © 1983 by Northern University Press. All rights reserved. Reproduced by permission. —Grace, Sherrill. From “Versions of Reality,” in Violent Duality a Study of Margaret Atwood. Edited by Ken Norris. Vehicule Press, 1980. © Copyright Sherrill Grace, 1980. Reproduced by permission. —Hillway, Tyrus. From “Final Flowering,” in Herman Melville. Twayne Publishers, 1979. Copyright © by G.K. Hall & Co. All rights reserved. Reproduced by permission of The Gale Group. —Knox, Ronald. From “Chesterton’s Father Brown,” in G.K. Chesterton: A Half Century of Views. Edited by D. J. Conlon. Oxford University Press, 1987. © D. J. Conlon 1987. All rights reserved. Reproduced by permission. —Parker, Hershel. From “The Dynamics of the Canonization of Billy Budd,” in Reading Billy Budd. Northwestern University Press, 1990. © 1990 by Hershel Parker. All rights reserved. Reproduced by permission. —Peterson, Nancy J. From “‘Bluebeard’s Egg’: Not Entirely a ‘Grimm’ Tale,” in Margaret Atwood Reflection and Reality. edited by Beatrice Mendez-Egle and James M. Haule. Pan American University, 1987. © Copyright College of Arts and Sciences, 1987. Reproduced by permission. —Porter, Thomas E. From “Gilbert Keith Chesterton,” in Twelve Englishmen of Mystery. Edited by Earl F. Bargainnier. Bowling Green University Popular Press, 1984. Copyright © 1984 by Bowling Green University Popular Press. Reproduced by permission. —Priestman, Martin. From “G. K. Chesterton,” in Detective Fiction and Literature: The Figure on the Carpet. St. Martin’s Press, 1991. © Martin Priestman 1991. All rights reserved. Reproduced by permission. —Stein, Karen F. From “Scarlet Ibises and Frog Songs: Short Fiction,” in Margaret Atwood Revisited, edited by Robert Lecker. Twayne Publishers, 1999. Copyright © 1999 by Twayne Publishers. All rights reserved. Reproduced by permission of The Gale Group. —Stern, Milton R.. From “Billy Budd,” in The Fine Hammered Steel of Herman Melville. University of Illinois Press, 1957. © 1957 by the Board of Trustees of the University of Illinois. Reproduced by permission of the author. —Wagner, Vern. From “Billy Budd as Moby Dick: An Alternate Reading,” in Studies in Honor of John Wilcox. Edited by A. Dayle Wallace and Woodburn O. Ross. Wayne State University Press. Copyright, 1958 by Wayne State University Press. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SSC, VOLUME 46, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Anderson, Sherwood, photograph. Corbis-Bettmann. Reproduced by permission. —Atwood, Margaret (left leg crossed, hands placed on leg), photograph. The Library of Congress. —Chesterton, G. K., photograph. Archive Photos, Inc. Reproduced by permission. —Melville, Herman (facing right, arms folded in front, dark facial hair), photograph. The Library of Congress.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Com-Ann Marie Wiescinski parative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan