Beckett, Samuel | Jan Alber (essay date spring 2002)
Jan Alber (essay date spring 2002)
SOURCE: Alber, Jan. “The ‘Moreness’ or ‘Lessness’ of ‘Natural’ Narratology: Samuel Beckett's ‘Lessness’ Reconsidered.” Style 36, no. 1 (spring 2002): 54-75.
[In the following essay, Albert utilizes “Lessness” to test the narratological approach of Monika Fludernik's Towards a ‘Natural’ Narratology.]
1. INTRODUCTION
According to J. E. Dearlove, the fragmentary short prose works that Samuel Beckett produced in the period following the publication of Comment C'est (1961), i.e., “All Strange Away” (1963-64), Imagination Dead Imagine (1965), Enough (1965), Ping (1966), Lessness (1969), and The Lost Ones (1966, 1970), might strike readers as “utterly alien and incomprehensible,” and by thrusting the burden of creating order and meaning on readers, “demand a new critical response” (“Last Images” 104, 116). Similarly,...
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