Criticism > Short Story Criticism > Barthelme, Donald - Lois Gordon (essay date 1981)
Barthelme, Donald - Lois Gordon (essay date 1981)
Lois Gordon (essay date 1981)
SOURCE: Gordon, Lois. “Come Back, Dr. Caligari.” In Donald Barthelme, pp. 35-61. Boston: Twayne Publishers, 1981.
[In the following essay, Gordon surveys the dominant thematic concerns of Barthelme's first short story collection, Come Back, Dr. Caligari.]
The first collection introduces many of Barthelme's themes and landscapes, most prominently the spiritually weary, contemporary world, brainwashed by popular culture and the media (“Viennese Opera Ball”), a society of people looking for “the right words” (“Florence Green”) and specific scripts with which to duplicate an identity (“For I'm the Boy,” “Big Broadcast,” “Hiding Man,” “Margins”). The theme of failed marriage recurs (“To London and Rome,” “Broadcast,” “For I'm the Boy,” “Will You Tell Me?” “Piano Player”). Another subject, which Barthelme will pursue, is the problem of using words, because...
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- Introduction
- Principal Works
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Criticism
- Morris Dickstein (essay date 1977)
- Paul Bruss (essay date 1981)
- Lois Gordon (essay date 1981)
- Frank Burch Brown (review date 31 March 1982)
- Maurice Couturier and Regis Durand (essay date 1982)
- Larry McCaffery (essay date 1982)
- Charles Molesworth (essay date 1982)
- Wayne B. Stengel (essay date 1985)
- John Domini (essay date winter 1990)
- Charles Baxter (essay date autumn 1990)
- Ewing Campbell (essay date fall 1990)
- Stanley Trachtenberg (essay date 1990)
- Brian McHale and Moshe Ron (essay date summer 1991)
- Jerome Klinkowitz (essay date 1991)
- Barbara L. Roe (essay date 1992)
- Wayne B. Stengel (essay date 1992)
- Further Reading
- Copyright
