Ballard, J. G. | Copyright Page
ISSN 0895-9439
Volume 53
Criticism of the Works of Short Fiction Writers
Lynn M. Zott Project Editor
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Short Story Criticism, Vol. 53
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ISSN 0895-9439
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Peter. From Introduction to J.G. Ballard. Starmount House, Inc., 1985. Copyright © 1985 by Starmount House, Inc. All rights reserved. Reproduced by permission.—Brigg, Peter. From “Recent Short Fiction, 1970-1982,” in J.G. Ballard. Starmount House, Inc., 1985. Copyright © 1985 by Starmount House, Inc. All rights reserved. Reproduced by permission.— Brigg, Peter. From “The Atrocity Exhibition (1970) (Love and Napalm: Export U.S.A.—American Title),” in J.G. Ballard. Starmount House, Inc., 1985. Copyright © 1985 by Starmount House, Inc. All rights reserved. Reproduced by permission.—Dimeo, Steven. From “Man and Apollo: Religion in Bradbury’s Science Fiction,” in Ray Bradbury. Taplinger Publishing Co., 1980. Copyright © 1980 by Taplinger Publishing Co. All right reserved. Reproduced by permission of the author.—Farrell, Grace. From “Introduction,” in Critical Essays on Isaac Bashevis Singer. G.K. Hall & Co., 1996. Copyright © 1996 by G.K. Hall & Co. All rights reserved. Reproduced by permission.—Gallagher, Edward J. From “The Thematic Structure of ‘The Martian Chronicle,’” in Ray Bradbury. Taplinger Publishing Co., 1980. Copyright © 1980 by Taplinger Publishing Co. All right reserved. Reproduced by permission of the author.—Guffey, George R. From “The Unconscious, Fantasy, and Science Fiction: Transformations in Bradbury’s Martian Chronicles and Lern’s Solaris,” in Bridges to Fantasy. Southern Illinois University Press, 1982. Copyright © 1982 by Southern Illinois University Press. All rights reserved. Reproduced by permission.—Hoppenstand, Gary. From “Embracing imagination: Uncollected Short Fiction and Final Comments” in Clive Barker’s Short Stories: Imagination and Metaphor in the Books of Blood and Other Works. McFarland & Company, Inc., 1994. Copyright © 1994 by McFarland & Company, Inc. All rights reserved. Reproduced by permission.—Kaminsky, Alice R. From “Gimpel,” in Fools and Jesters in Literature, Art, and History: A Bio-Bibliographical Sourcebook. Greenwood Press, 1998. Copyright © 1998 by Greenwood Press. All rights reserved. Reproduced by permission.—Luckhurst, Roger. From “Mediation, Simulation, Recalcitrance: Crash to Hello America, with Detours,” in The Angle Between Two Walls’ The Fiction of J.G. Ballard. Liverpool University Press, 1997. Copyright © 1997 by Liverpool University Press. All rights reserved. Reproduced by permission.—Luckhurst, Roger. From “The Atrocity Exhibition and the Problematic of the Avant-Garde,” in The Angle Between Two Walls’ The Fiction of J.G. Ballard. Liverpool University Press, 1997. Copyright © 1997 by Liverpool University Press. All rights reserved. Reproduced by permission.—Luckhurst, Roger. From “The Signature of J.G. Ballard,” in The Angle Between Two Walls’ The Fiction of J.G. Ballard. Liverpool University Press, 1997. Copyright © 1997 by Liverpool University Press. All rights reserved. Reproduced by permission.— Schanfield, Lillian. From “Singer’s ‘Yentl’: The Fantastic Case of a Perplexed Soul,” in Spectrum of the Fantastic: Selected Essays from the Sixth International Conference on the Fantastic in the Arts. Greenwood Press, 1988. Copyright © 1988 by Greenwood Press. All rights reserved. Reproduced by permission.—Schwarz, Martin. From “Two Practitioners of the Grotesque: Sherwood Anderson and Isaac Bashevis Singer,” in The Shape of the Fantastic: Selected Essays from the Seventh International Conference on the Fantastic in the Art. Greenwood Press, 1990. Copyright © 1990 by Greenwood Press. All rights reserved. Reproduced by permission.—Stenberg, Peter. From Journey to Oblivion: The End of East European Yiddish and German Worlds in the Mirror of Literature. University of Toronto Press, 1991. Copyright © 1991 by University of Toronto Press. All rights reserved. Reproduced by permission.—Stephenson, Gregory. From Introduction to Out of the Night and Into the Dream: A Thematic Study of the Fiction of J. G. Ballard. Greenwood Press, 1991. Copyright © 1991 by Greenwood Press. All rights reserved. Reproduced by permission.—Stephenson, Gregory. From “Technological Tartarus: The Atrocity Exhibition, Crash, Concrete Island, High Rise,” in Out of the Night and Into the Dream: A Thematic Study of the Fiction of J. G. Ballard. Greenwood Press, 1991. Copyright © 1991 by Greenwood Press. All rights reserved. Reproduced by permission.—Stephenson, Gregory. From “The Dimension of the Disaster: The Early Short Fiction,” in Out of the Night and Into the Dream: A Thematic Study of the Fiction of J. G. Ballard. Greenwood Press, 1991. Copyright © 1991 by Greenwood Press. All rights reserved. Reproduced by permission.—Stephenson, Gregory. From “’Trapped Aircraft’: The Later Short Fiction,” in Out of the Night and Into the Dream: A Thematic Study of the Fiction of J. G. Ballard. Greenwood Press, 1991. Copyright © 1991 by Greenwood Press. All rights reserved. Reproduced by permission.—Stockwell, Peter. From “Language, Knowledge, and the Stylistics of Science Fiction,” in Subjectivity and Literature from the Romantics to the Present Day. Pinter Publishers, 1991. Copyright © 1991 by Pinter Publishers. All rights reserved. Reproduced by permission.—Wolfe, Gary K. From “The Frontier Myth in Ray Bradbury,” in Ray Bradbury. Taplinger Publishing Co., 1980. Copyright © 1980 by Taplinger Publishing Co. All right reserved. Reproduced by permission of the author.—Wolfe, Gary K. From “The Remaking of Zero: Beginning at the End,” in The End of the World. Edited by Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander. Southern Illinois University Press, 1983. Copyright © 1983 by the Board of Trustees, Southern Illinois University, reproduced by permission.
PHOTOGRAPHS APPEARING IN SSC, VOLUME 53, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Ballard, J.G., photograph. © Jerry Bauer. Reproduced by permission.—Barker, Clive, photograph. AP/Wide World Photos. Reproduced by permission.—Bradbury, Ray, photograph. The Library of Congress.—Singer, Isaac Bashevis, photograph. © Jerry Bauer. Reproduced by permission.
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