Criticism > Short Story Criticism > Auchincloss, Louis - Martin Tucker (essay date 1967)
Auchincloss, Louis - Martin Tucker (essay date 1967)
Martin Tucker (essay date 1967)
SOURCE: A review of Tales of Manhattan, in Commonweal Vol. LXXXVI, No. 13, June 16, 1967, pp. 372-73.
[Tucker is an American educator and critic. In the following review, he discusses Auchincloss 's narrative technique in Tales of Manhattan and finds that the author's frequent use of passive observers to relate stories robs the works of passion.]
The dominant impression a reader is likely to get from Louis Auchincloss' Tales of Manhattan is that the rich worry more about money than the poor. When threatened, they scratch and claw—some like tigers, some like kittens—but very few question the struggle in any terms but moneyed triumphs. Most of Auchincloss' characters reserve their moral complexities for questions of what things to buy with their money.
Such a theme is no more restrictive a representation of human nature than Dreiser's emphasis on the bitch-goddess of success in...
[The entire page is 836 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Principal Works
-
Criticism
- Sara Henderson Hay (essay date 1950)
- James Stern (essay date 1954)
- Granville Hicks (essay date 1963)
- Maxwell Geismar (essay date 1963)
- Patricia Kane (essay date 1964-1965)
- Leon Edel (essay date 1967)
- Martin Tucker (essay date 1967)
- Nora Sayre (essay date 1967)
- Carolyn F. Ruffin (essay date 1970)
- Brom Weber (essay date 1970)
- James Tuttleton (essay date 1972)
- G. Edward White (essay date 1972)
- Gore Vidal (essay date 1974)
- Richard Todd (essay date 1976)
- Louis Auchincloss with Vincent Piket (interview date 1985-1987)
- Christopher C. Dahl (essay date 1986)
- Peter Cameron (essay date 1987)
- M. O'Sullivan (essay date 1988)
- David Parseli (essay date 1988)
- Anne Bernays (essay date 1992)
- Bruce Bawer (essay date 1994)
- Further Reading
- Copyright
